jazz cornet player, trumpeter, and vocalist. Louis Armstrong's musical style and charismatic personality transformed jazz from a “raucous” and “vulgar” regional form of dance music into an internationally beloved popular art form. Also known as “Satchel-mouth” and “Pops,” Armstrong first gained renown as an innovative cornet player and trumpeter whose creative energy helped bring about the movement of jazz into swing in the 1920s. But he also achieved fame as a vocalist whose distinctive style, including some specific features identified as “Afro-American,” influenced scores of jazz singers and thus played a significant role in shaping popular music of the twentieth century.
jazz trumpeter and singer, known universally as “Satchmo” and later as “Pops,” was born in New Orleans, Louisiana, the son of William Armstrong, a boiler stoker in a turpentine plant, and Mary Est “Mayann” Albert, a laundress. Abandoned by his father shortly after birth, Armstrong was raised by his paternal grandmother, Josephine, until he was returned to his mother's care at age five. Mother and son moved from Jane Alley, in a violence‐torn slum, to an only slightly better area, Franklyn and Perdido streets, where nearby cheap cabarets gave the boy his first introduction to the new kind of music, jazz, that was developing in New Orleans. Although Armstrong claims to have heard the early jazz cornetist Buddy Bolden when he was about age five, this incident may be apocryphal. As a child, he worked odd jobs, sang in a vocal quartet, and around 1911 bought a ...
More than anyone else, Louis Armstrong was responsible for legitimizing and popularizing jazz for a wider public. A much-admired jazz trumpeter and gravel-voiced vocalist, Armstrong was also a consummate entertainer, steadily expanding his career from instrumentalist to popular singer, to film and television personality, and, ultimately, to cultural icon. He acquired many nicknames throughout his life, including Dippermouth, Pops, and Satchelmouth—the latter often contracted to Satchmo. As Satchmo, he was instantly identifiable around the world, decades before PrinceMadonna, or Sting. The international appeal of his music in effect made Armstrong the American goodwill ambassador to the world.
Jennifer Carolina Gómez Menjívar
was born on 7 February 1954 in Lima, Peru. She was raised by her maternal grandmother, who taught her to sing when she was 3 and nurtured her dreams of becoming an artist from an early age, encouraging her to perform at school events as well as on children’s programs on radio and television. Born María Angélica Ayllón Urbina, the artist adopted her grandmother’s name as her stage name upon launching her solo career. Cherished by fans on two continents, Ayllón has released over thirty albums and has become a successful artist with a solid foundation in Peruvian “Creole” and Afro-Peruvian musical styles.
Ayllón began performing in the early 1970s in commercial venues in Lima that had a reputation for showcasing Creole music. She began her career alongside notable artists, and in 1973 she became the lead singer of Los Kipus a musical trio They toured Peru performed for ...
Robert W. Logan
Bailey graced the worlds of movies, television, musical theater, nightclubs, and recordings with a dazzling smile, an engaging personality, and the sense that she was communicating personally with each individual member of her audience. An entertainer who methodically worked her way up the show business ladder, she was unassuming and unpretentious, but nevertheless a star whose charismatic presence illuminated stages and screens for more than fifty years.
Pearl Mae Bailey was born in Newport News, Virginia, to Joseph James and Ella Mae Bailey. Her father was a revivalist minister, and at the age of three she was already dancing and singing in his church. When she was four, the family moved to Washington, DC. When her parents separated, Bailey, the youngest of four children, stayed with her father, but eventually she joined her mother and siblings in Philadelphia, where her mother had remarried.
Bailey attended William Penn High ...
Lisa Clayton Robinson
For many people, Josephine Baker's name will always evoke a well-known, controversial image: the “Black Venus” naked onstage, except for a string of bananas around her waist, dancing to African drums before her white Parisian audiences. It was this image that first made Baker a star, one whose international fame lasted for five decades. But the picture of the exotic dancer does not fully capture the complexity of the woman who was one of the first black performers to transcend race and appeal to audiences of all colors around the world.
Baker was born in St. Louis, Missouri to Freda Josephine MacDonald the name Baker came from her second husband Her parents were not married her father was a drummer in a local band and her mother a washerwoman rarely had enough money to support Baker and her three younger half siblings At age eight Baker began working as ...
Karen C. Dalton
dancer, singer, and entertainer, was born in the slums of East St. Louis, Missouri, the daughter of Eddie Carson, a drummer, who abandoned Baker and her mother after the birth of a second child, and of Carrie McDonald, a onetime entertainer who supported what became a family of four by doing laundry. Poverty, dislocation, and mistreatment permeated Baker's childhood. By the age of eight she was earning her keep and contributing to the family's support by doing domestic labor. By the time Baker was fourteen, she had left home and its discord and drudgery; mastered such popular dances as the Mess Around and the Itch, which sprang up in the black urban centers of the day; briefly married Willie Wells and then divorced him and begun her career in the theater She left East St Louis behind and traveled with the Dixie Steppers on ...
Josephine Baker was the first and greatest black dancer to emerge in the genre now called “performance art.” She epitomized through dance what freedom of expression and artistic expression really meant for generations of artists worldwide. Baker was one of the few artists in the world who were acclaimed and awarded for being themselves. Her genius resided in her conception of music, dance, and comedy; she had a musician’s sense of timing, a dancer’s instinct for cutting a phrase, and a comedian’s ability to deliver a punch line even when it was in a song or gesture. Not merely an entertainer, Baker was in every sense of the word an artist, and it was as an artist that she made her mark on the world.
Baker was also a humanitarian who in her own unique and eccentric way tried to live by example She symbolized beauty elegance grace and most ...
singer and dancer. Josephine Baker was born Freda Josephine McDonald in a poor black neighborhood in Saint Louis, Missouri. Her mother, Carrie MacDonald, was twenty-one years old at the time and worked as a laundry woman. Her father, Eddie Carson a vaudeville drummer left his wife a year after Josephine was born Josephine thus grew up fatherless and in poverty When she was eight years old her mother hired her out to a white woman as a maid From then on Josephine was on her own in life An ambitious and optimistic child she learned to dance in the back streets of Saint Louis She went to the zoo watched kangaroos camels and giraffes and imitated their movements She wanted to be a great dancer and live a glamorous life At the age of twelve she dropped out of school and at thirteen her professional life began ...
Karen C. Dalton
A young African American dancer named Josephine Baker and her act, La Revue Nègre (The Negro Revue), took Paris by storm in 1925. Baker described their effect in these words: “When the rage was in New York of colored people, Mr. Siegfied of Ziegfied Follies said: ‘It's getting darker and darker on old Broadway.’ Since La Revue Nègre came to Gai Paree, I'll say, ‘It's getting darker and darker in Paris.’”
Harry Belafonte may be best known to audiences in the United States as the singer of the “Banana Boat Song” (known popularly as “Day-O”). However, it is his commitment to political causes that inspired scholar Henry Louis Gates, Jr. to observe: “Harry Belafonte was radical long before it was chic and remained so long after it wasn't.” Belafonte was born in Harlem, New York, to West Indian parents. The family moved to Jamaica in 1935 but returned five years later. Struggling with dyslexia, Belafonte dropped out of high school after the ninth grade and, at the age of seventeen, joined the U.S. Navy. The work was menial: scrubbing the decks of ships in port during World War II. Naval service, however, introduced Belafonte to African Americans who awakened his political consciousness and introduced him to the works of radical black intellectual W. E. B. Du Bois.
singer, actor, activist, and producer, was born Harold George Belafonte Jr. in Harlem in New York City, the son of Harold George Belafonte Sr., a seaman, and Melvine Love, a domestic worker. Belafonte Sr. was an alcoholic who contributed little to family life, other than occasionally hitting his spouse, and the young Harry was brought up almost exclusively by his mother. Harold and Melvine, who were both from the Caribbean, had a difficult time adjusting to life in New York, and after the Harlem race riots of 1935 Melvine and her son moved to her native Jamaica where Harry spent five years shielded from American racism When World War II broke out the Belafontes returned to Harlem Hoping for better conditions the family would often try to pass for white With white relatives on both the mother s and father s sides they were ...
Few performers have had a more profound effect on American popular music than Chuck Berry. The staccato guitar cadenzas with which he opened songs such as “Maybellene” (1955) and “Johnny B. Goode” (1958) helped define the new guitar idiom of rock and roll. His lyrics, celebrating teen freedom, music, dancing, and the pleasures of automobiles gave substance to the rock genre. Berry's influence shaped the music of later musicians from the Beatles and the Rolling Stones to artists of the present.
Born in St. Louis, Missouri, Berry was first exposed to music when the choir of his parents' Baptist church gathered to rehearse in the front room of his childhood home. An avid fan of the Blues Berry took up guitar as a hobby at age fourteen He worked in an automobile factory and as a hairdresser before turning to his guitar playing and ...
John Edwin Mason
singer, songwriter, and guitarist, was born Charles Edward Anderson Berry in St. Louis, Missouri, the fourth of six children of Henry William Berry, a carpenter and handyman, and Martha Bell Banks. The industrious Henry Berry instilled in his son a hunger for material success and a prodigious capacity for hard work, traits that were not entirely apparent in Berry as a youth. Martha Berry, a skilled pianist and accomplished singer, passed on to her son her love for music. By the time he was a teenager, however, Berry preferred jazz, blues, and the “beautiful harmony of country music” to his mother's Baptist hymns (Berry, 14).
In 1944 Berry and two friends hatched an ill considered plan to drive across the country to California They soon ran out of money and committed a series of armed robberies in an attempt to return home All three were ...
Timothy J. O'Brien
rock-and-roll pioneer. Chuck Berry is truly the father of rock and roll. His vibrant songwriting, innovative guitar playing, and live performances inspired legions of followers, and he was the single most important figure in defining a new genre that mixed country and rhythm and blues.
Charles Edward Anderson Berry was born to Henry William Berry Sr., a carpenter, and Martha Bell Banks, a housewife, in Saint Louis, Missouri, in 1926. The family belonged to a Baptist church, and Berry's earliest memories were of his parents singing gospel songs around the house. His first try at show business, singing “Confessin’ the Blues” to a friend's guitar accompaniment at a high school talent show, inspired him to play guitar.
While still in high school in Saint Louis he left for a trip to California with two friends When their money ran low they robbed a few small businesses and ...
Ana Luiza Libânio
was born Leci Brandão da Silva, on 12 September 1944, in Madureira, suburb of Rio de Janeiro, and was raised in Vila Isabel, a neighborhood known for its contributions to samba. Her father, Antonio Francisco da Silva, a school janitor, and her mother, Lecy de Assumpção Brandão, a housewife and later school janitor, were able to provide her with a rich educational background, teaching her an appreciation for samba and other forms of music, including classical, opera, and jazz. She grew up enjoying Brazilian popular music (Música Popular Brasileira, or MPB), but also became a fan of international singers. Though she had eclectic musical tastes, she regarded samba as her favorite genre, especially the songs through which she could protest against social injustice.
Brandão had to start working at an early age in order to contribute to the household finances Working as operator attendant and factory worker during the ...
Freda Scott Giles
dancer, singer, entertainer, and actor, was born John William Sublett in Louisville, Kentucky. His parents’ names are not known. His early childhood was spent in Indianapolis, Indiana, where his family was part of a touring carnival; by the age of seven, John was performing on the stage, participating in amateur contests as a singer. Accounts differ as to when he returned to Louisville and when he met his vaudeville team partner, Ford Lee “Buck” Washington. Some sources list their ages as ten and six, respectively, while others list them as thirteen and nine. The team began working professionally by 1915 as “Buck and Bubbles,” an act combining music and comedy.
They would remain together for nearly forty years originally combining Washington s talents as a pianist with Sublett s as a singer when his voice changed Sublett turned to tap dancing as his primary talent As they developed their act ...
Steven J. Niven
popular singer and bandleader, was born Cabell Calloway III in Rochester, New York, the third of six children of Cabell Calloway Jr., a lawyer, and Martha Eulalia Reed, a public school teacher. In 1920, two years after the family moved to the Calloways’ hometown of Baltimore, Maryland, Cab's father died. Eulalia later remarried and had two children with John Nelson Fortune, an insurance salesman who became known to the Calloway children as “Papa Jack.”
Although he later enjoyed a warm relationship with his stepfather the teenaged Cab had a rebellious streak that tried the patience of parents attempting to maintain their status as respectable Baltimoreans He often skipped school to go to the nearby Pimlico racetrack where he both earned money selling newspapers and shining shoes and began a lifelong passion for horse racing After his mother caught him playing dice on the steps of the ...
singer and actress, was born Carol Diahann Johnson in the Bronx, New York, the elder daughter of John Johnson, a subway conductor, and Mable, a nurse. Carroll, who had a younger sister Lydia, began performing at an early age in school plays and as a “tiny tot” in the Abyssinian Baptist Church Choir of Harlem. At age ten she won a scholarship for voice lessons at the Metropolitan Opera and later attended the High School of Music and Art in Manhattan alongside Billy Dee Williams.
At the age of 15, Carroll began modeling clothes for Ebony magazine. Although she enrolled at New York University to study sociology, her passion for vocal performance won out. In her early college years she won a weekly televised talent competition called Chance of a Lifetime for three consecutive weeks This national recognition spurred her bookings in New York venues beginning in ...
Hilary Mac Austin
Diahann Carroll was only six when she joined the Tiny Tots choir at Harlem’s Abyssinian Baptist Church. Her life appears to have been a nonstop rollercoaster ride ever since. As she said in Diahann: An Autobiography, “All I ever wanted to do was sing. What happened was more.”
Carroll grew up in Harlem, New York, although she was born in the Bronx as Carol Diann Johnson. Her parents were John and Mabel Faulk Johnson. She has one sister, Lydia, thirteen years younger. Her father was a subway conductor, and her mother, who trained as a nurse, stayed at home to raise her daughters. The household, while not wealthy, was solidly middle class.
At the age of ten, Carroll won a music scholarship through an organization affiliated with the Metropolitan Opera. At fourteen, she got her first modeling job with Ebony magazine and by the age of ...