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Anne Elise Thomas

Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...

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Brenna Sanchez

classical singer, author, gay rights activist, and former literary assistant to writer Langston Hughes, was born in Cleveland, Ohio. Abdul's father, Hamid Abdul, was from Calcutta, India, and his mother, Bernice (Shreve) Abdul, was able to trace her ancestry back to the pre-Revolutionary War era. Abdul got his start in theater at a young age, participating in children's theater by age six. He attended John Hay High School and, after graduation, worked as a journalist for the Cleveland Call and Post. He would later go on to earn a diploma from the Vienna Academy of Music in 1962. He also studied at Harvard University, the New School for Social Research, the Cleveland Institute of Music, New York College of Music, and the Mannes College of Music.

In 1951 at age twenty two Abdul relocated to New York City There he began studying music and was ...

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Mussie Tesfagiorgis

Eritrean Tigrinya singer and performer, songwriter, instrument player, and music composer, was born in the city of Asmara. During the Eritrean war of liberation (1961–1991), Abraham Afewerki and his family, like hundreds of thousands of other Eritreans, sought refuge in Sudan.

Abraham Afewerki became attracted by music and musical instruments at an early age. As a young child, he started playing famfam harmonica and singing at school events As a young boy with great artistic potential he joined the Qeyyahti Embaba Red Flowers of the Eritrean People s Liberation Front EPLF at the age of twelve The Red Flowers was a cultural troupe composed of young artists who performed cultural and revolutionary music and theater within Eritrea in areas controlled by the EPLF and Sudan A branch of the troupe of which Abraham Afewerki was a member was active in Khartoum By writing and composing his own ...

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James M. Salem

musician, songwriter, and rhythm and blues star, was born John Marshall Alexander Jr. in Memphis, Tennessee, the son of John Marshall Alexander and Leslie Newsome. His father earned his living in Memphis as a packer, but his lifework was as a commuting minister to two rural Baptist churches in eastern Arkansas. At LaRose Grammar School in South Memphis, John Jr. as his family called him displayed both musical and artistic talent He mastered the piano at home but was allowed to play only religious music Along with his mother and siblings he sang in the choir at Bethel African Methodist Episcopal Church Becoming restless at Booker T Washington High School John Jr dropped out in the eleventh grade to join the navy and see the world His sisters recalled military police coming to the house in search of their brother and thought of his brief period ...

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André Willis

Born Julian Edwin Adderley in Tampa, Florida, Adderley earned the nickname “Cannonball,” a corruption of “cannibal,” for his huge appetite. Adderley was introduced to music by his father, a cornetist, and was performing in bands by the time he was fourteen. He played in local bands as well as in the United States Army (he enlisted in 1950) and taught music before moving to New York to join his brother Nat in 1955. He immediately found success on the New York Jazz scene, joining the bands of bassist Oscar Pettiford.

The recordings Adderley made with Davis, which included John Coltrane on tenor saxophone, Paul Chambers on bass, and Wynton Kelly on piano, are some of the most celebrated of the 1950s. In 1959 Adderley and his brother Nat formed their own quintet and built on the influence of Davis and saxophonist Charlie Parker During ...

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Frank Tirro

Adderley, Cannonball (15 September 1928–08 August 1975), jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor’s degree from Florida A & M in 1948, having studied reed and brass instruments with band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. He then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.

Adderley served in the army from 1950 until 1953 leading the 36th Army Dance Band to which his younger brother cornetist Nathaniel Nat Adderley was also assigned While stationed in Washington D C in 1952 Adderley continued ...

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Frank Tirro

jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, Florida, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor's degree from Florida A&M in 1948, having studied reed and brass instruments with the band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. Adderley then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.

Adderley served in the army from 1950 until 1953, leading the Thirty-sixth Army Dance Band, to which his younger brother, the cornetist Nathaniel “Nat” Adderley, was also assigned. While stationed in Washington, D.C., in 1952 Adderley continued to play ...

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Jeremy Rich

Nigerian pioneer of juju and world music star, was born Sunday Adeniyi Adé in the southwestern Nigerian city of Ondo on 22 September 1946. His father was a Methodist pastor and the organist for his church, while his mother engaged in various trading enterprises. Through his maternal grandfather, who lived in the town of Akoure, near Ondo, Ade was of royal lineage. By the time he reached his adolescent years, Adé had moved with his family to the town of Oshobo. Although he completed primary school, Adé ended up dropping out of secondary school before completing his studies. His lack of financial resources cut short his formal education. He already had developed eclectic tastes in music through his childhood and adolescent experiences. Traditional Yoruba music featuring drums fascinated the young boy, as did the occasional use of drums at church. Adé remembered in a 2005 interview that when ...

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Norman Weinstein

Sunday Anthony Ishola Adeniyi Adegeye, known internationally to African music fans as King Sunny Ade, was raised in a home where Christian and Yoruba religious and cultural perspectives were thoroughly intermingled. Ade's father was a church organist. Ade attended missionary schools, then dropped out of college in the 1960s to pursue a career as a drummer in Juju bands. Juju, a form of Nigerian pop music first developed by Yoruba musicians in the 1920s, was just beginning to gain an international audience. Ade's chief musical inspiration was I. K. Dairo, though Ade's later song lyrics drew more inspiration from his Christian education.

The early 1970s marked the birth of Ade s reputation as an African superstar with an international audience Ade deviated from the Dairo legacy through a series of innovations He expanded the juju band lineup from a single electric guitarist to as many as six played with at ...

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David Toop

(b New York, April 10, 1960). American DJ. He grew up in New York’s South Bronx, his musical eclecticism matched by his vision of African American social and racial unity. In the mid-1970s he was one of the pioneers of New York’s emergent hip hop culture of rapping, DJ mixing and scratching, graffiti and breakdancing. Along with two other Bronx DJs, Grandmaster Flash and Kool Herc, he began playing small percussive sections from obscure and unexpected rock, funk and electro-pop records as a rhythm track for rappers, interspersing the beats with extracts from cartoon melodies and film themes. When hip hop moved from school gymnasium dances to the mainstream world of record contracts, Bambaataa recorded ‘Zulu Nation Throwdown’ for the Harlem entrepreneur, Paul Winley. Unhappy with Winley, he moved to Tommy Boy Records, where his third contribution to that label, Planet Rock was recorded in ...

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David Simonelli

was born Oliver Anthony Stephens on 22 April 1927 in Santiago, Cuba, to a Jamaican father and a Cuban mother. One of six brothers, he spent his early childhood in Cuba, speaking Spanish; over the years, he learned Italian and French as well, and his multilingual singing abilities would contribute to his international marketability as a pop singer. His father moved the family back to Kingston, Jamaica, in 1938, where Stephens absorbed many different styles of music over the radio and in the streets—American rhythm and blues heard over New Orleans radio stations broadcast across the Caribbean, the hits of jazz crooners from the United States and Britain, and mento, the local guitar and horn version of calypso in Jamaica. In 1942, at age 15, he sang in a major local talent show Vere John’s Opportunity Hour, winning and collecting 2 pounds; he entered Opportunity Hour ...

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Juan Carlos Estenssoro

was born in 1788 to Rosa Rudesinda Retuerto, a free mulatto woman. On his certificate of baptism, he is documented as a son without a father; however, on his marriage certificate, his father is identified as the surgeon and pharmacist José Isidoro Alcedo. He began his studies in the Augustine music academy in Lima, which was run by the friar Cipriano Aguilar; he later moved to the Santo Domingo convent, where he received his true musical education under the direction of Friar Pascual Nieves. In 1807 he took simple vows as a third-order Dominican for three years, having worn the friar’s habit the year before. At that time he began to teach music at the convent. In 1821 he was among the signatories of Peru s Declaration of Independence and he presented two compositions to the competition led by General José de San Martín to select a national march ...

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Nathaniel Friedman

soul and rhythm and blues singer and songwriter, was born Arthur Alexander Jr. in Florence, Alabama, to Arthur Alexander, a laborer and musician, and Fannie Scott Spencer. He was exposed to music at an early age by his mother and older sister, who sang in church, and by his father, who played weekend gigs as a bottleneck blues guitarist. After high school Alexander was working as a bellhop at the Sheffield Hotel when he met Tom Stafford, a white R&B enthusiast who introduced him to what would become the nucleus of the Muscle Shoals–area studio scene: Dan Penn, Rick Hall, Spooner Oldham, and Billy Sherrill. The men, all then working for Rick Hall's Fame Music Stafford, found Alexander's songwriting abilities every bit as intriguing as his singing, and soon made sure that Alexander became part of Fame's writing operation. In 1958Alexander and Henry Lee Bennett coauthored ...

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Eddie S. Meadows

Allen, Henry “Red” (07 January 1908–17 April 1967), trumpeter, was born Henry James Allen, Jr., in Algiers, Louisiana, the son of Henry James Allen, Sr., a trumpeter and leader of a brass band, and Juretta (maiden name unknown). Allen received instruction from his father and his two uncles, who were also trumpeters. Rehearsals were held at home, giving Allen the opportunity to hear New Orleans greats like Louis Armstrong, Buddy Bolden, Oscar Celestin, Bunk Johnson, King Oliver, Sam Morgan and Kid Rena Though surrounded by trumpet players Allen played the violin and the alto horn before he settled on trumpet Soon after his tenth birthday he felt secure enough on the trumpet to become a member of his father s brass band Allen learned improvising by playing along with recordings He varied the speed to change the key thereby developing a ...

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Eddie S. Meadows

trumpeter, was born Henry James Allen Jr. in Algiers, Louisiana, the son of Henry James Allen Sr., a trumpeter and leader of a brass band, and Juretta (maiden name unknown). Red Allen received instruction from his father and his two uncles, who were also trumpeters. Rehearsals were held at home, giving Allen the opportunity to hear New Orleans greats like Louis Armstrong, Buddy Bolden, Oscar Celestin, Bunk Johnson, King Oliver, Sam Morgan, and Kid Rena. Though surrounded by trumpet players, Allen played the violin and the alto horn before he settled on the trumpet. Soon after his tenth birthday he felt secure enough on the trumpet to become a member of his father's brass band. Allen learned to improvise by playing along with recordings. He varied the speed to change the pitch, thereby developing keen pitch perception.

In addition to playing ...

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SaFiya D. Hoskins

blues musician, was born Luther Allison in Widener, Arkansas, the fourteenth of fifteen children born to his parents (names unknown), who were cotton farmers. He grew up with an interest in music; playing the organ in church, singing gospel, and listening to the Grand Ole Opry from Nashville, Tennessee, over the radio. Allison was exposed early to blues; from the music his father played on the family radio to hearing blues musicians like B.B. King, broadcast from Memphis on WDIA.

By the age of ten, Allison had begun to show interest in the guitar. In 1951 at the age of twelve he moved with his family in search of better opportunities to the Westside of Chicago After high school Allison studied the craft of shoemaking Meanwhile several of his siblings were members of a gospel group and one of his older brothers Ollie had become a popular guitarist ...

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Barry Kernfeld

jazz pianist, was born in Chicago. His parents' names are unknown; both were pianists. Albert was a teenage friend of Meade Lux Lewis. The two learned to play by following the key action of player pianos and by imitating more experienced musicians, including Hersal Thomas and Jimmy Yancey. Albert, having access to his parents' instrument, developed his skills faster than Lewis. Both men were particularly influenced by a tune called “The Fives,” a blues tune involving strong, repetitive, percussive patterns in the left hand set against equally strong and percussive but less rigorously repetitive counterrhythmic patterns in the right. This piano blues style came to be known as boogie-woogie.

In 1924 Ammons joined a band in South Bend, Indiana. He married around this time, although details about his wife are unknown. His ultimately more famous and talented son, the tenor saxophonist Gene Ammons was born in ...

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Barry Kernfeld

jazz tenor saxophonist, was born Eugene Ammons in Chicago, Illinois, the son of Albert Ammons, a boogie-woogie pianist; his mother's name is unknown. Like several other prominent jazzmen, Gene studied music at Du Sable High School under Captain Walter Dyett. Initially he idolized Lester Young's improvising and even imitated Young's manner of playing with head and horn at a grotesquely tilted angle. During his third year in high school Gene began playing locally with the trumpeter King Kolax's band. At the semester's end he embarked on a cross-country tour with Kolax that included performances at the Savoy Ballroom in New York.

In 1944 the singer Billy Eckstine formed a big band that included the tenor saxophonist Charlie Rouse and the alto saxophonist Charlie Parker. According to the group's pianist, John Malachi Rouse was so smitten by Parker s playing that he was unable to concentrate ...

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Barry Kernfeld

jazz trumpeter, was born William Alonzo Anderson Jr. in Greenville, South Carolina. Nothing is known of his parents, who died when he was four. Anderson grew up in Jenkins' Orphanage in Charleston, where as a boy he received the nickname “Cat” after scratching and tearing in a fight with a bully. He played in the orphanage's renowned bands, beginning on trombone and playing other brass and percussion instruments before taking up trumpet. From 1929 onward he participated in orphanage band tours, and in Florida in 1933 he formed the cooperative Carolina Cotton Pickers with fellow orphanage musicians. Returning to Charleston in 1934, they continued playing as the Carolina Cotton Pickers and then resumed touring.

Independent of the orphanage, Anderson held his first lasting affiliation with the Sunset Royals (c. 1936–1942). From 1942 to 1944 he worked in the big bands of Lucky Millinder; the trumpeter Erskine ...

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Barry Kernfeld

Anderson, Cat (12 September 1916–29 April 1981), jazz trumpeter, was born William Alonzo Anderson, Jr., in Greenville, South Carolina. Nothing is known of his parents, who died when he was four. Anderson grew up in Jenkins’ Orphanage in Charleston, where as a boy he received the nickname “Cat” after scratching and tearing in a fight with a bully. He played in the orphanage’s renowned bands, beginning on trombone and playing other brass and percussion instruments before taking up trumpet. From 1929 onward he participated in orphanage band tours, and in Florida in 1933 he formed the cooperative Carolina Cotton Pickers with fellow orphanage musicians. Returning to Charleston in 1934, they continued playing as the Carolina Cotton Pickers and then resumed touring.

Independent of the orphanage Anderson held his first lasting affiliation with the Sunset Royals c 1936 1942 From 1942 to 1944 he worked in the big ...