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Caryn E. Neumann

a still photographer and documentary filmmaker, was born in Houston, Texas, the second child and only daughter of the schoolteacher Mollie Carroll Parrott and the dentist Frederick Douglas Parrott Sr. At least one grandparent had been born a slave. Both parents were the first in their respective families to obtain advanced college degrees, but racism kept the family poor. The Parrotts lived in the Third Ward, one of Houston's African American neighborhoods, and Blue attended a segregated grade school. As she wrote in her memoir, The Dawn at My Back, the challenges of growing up poor and black in a racist, classist society put a shadow over her life.

Blue did not intend to pursue a career in the visual arts. She enrolled as an English literature student, specializing in the sixteenth- and seventeenth-century English Renaissance period, at Boston University in 1960 with the goal of becoming ...

Article

Catherine M. Grant and Margaret Rose Vendryes

American printmaker, film maker, installation and conceptual artist and writer.

Green, of African descent, has worked primarily with film-based media, and has published criticism and designed installations that reveal her commitment to ongoing feminist and black empowerment movements. She earned her BA from Wesleyan University in 1981 and also spent some time at the School of Visual Arts in New York in 1980, returning in the late 1980s to study in the Whitney Independent Study Program, graduating in 1990. At the age of 24 she began exhibiting her comparative compositions containing found objects, images, and texts that question recorded history.

Green’s work deals with issues of anthropology and travel. By undertaking projects via the methodology of the 19th-century explorer, she exposed the arbitrary and prejudiced nature of classification, as in Bequest (1991; see 1993 exh cat an installation she made at the ...

Article

Jennifer Lynn Headley

cultural critic, historian, performance and installation artist, photographer, writer, and activist, was born in Boston, Massachusetts. Her mother, Lena, emigrated from Jamaica to Boston in the 1920s. She earned a BA from Wellesley College in Spanish and Economics and an MFA in Fiction Writing from the University of Iowa, studying-in its renowned Writers' Workshop. From Iowa, she moved to New York City and began writing for the Village Voice and Rolling Stone as a rock critic. She changed her career course with her first performance pieces in the 1980s and her critical writings about art and its effect on students and peers.

O'Grady's first performed as Mlle. Bourgeoise Noire, loosely translated into Ms. Black Middle Class; her alter ego was a rowdy uninvited guest to numerous high-profile art exhibitions. Mlle. Bourgeoise Noire Goes to JAM (1980), Mlle Bourgeoise Noire Goes to ...

Article

Edward M. Epstein

artist, was born in the Crown Heights section of Brooklyn, New York. She became a key practitioner of contemporary conceptual photography. Her enigmatic text-image combinations share common threads with the work of conceptualists such as John Baldessari and postmodernists such as Barbara Kruger, yet they add a racial dimension, inviting the viewer to probe the stereotypes embedded in images of black women.

Simpson's early career followed the track of traditional black-and-white photography. While earning a BFA from the School of Visual Arts in New York in 1982, she photographed subjects from her neighborhood. She studied a more conceptual approach to visual art as a graduate student at the University of California at San Diego, where she earned an MFA in 1985 In that same year she was awarded a National Endowment for the Arts Management Grant On returning to New York she was given a warm ...

Article

Anne K. Swartz

African American photographer and multimedia artist. Simpson attended the High School of Art and Design then received her BFA in Photography from the School of Visual Arts, New York City in 1982 and her MFA in Visual Arts from University of California, San Diego in 1985. She focused on photography for both degrees. While still in graduate school she started complicating the presumed transparency of photography, experimenting with the clarity of the narrative, the deconstruction of narrative as associated with photography and an investigation of the transparency of photography. She would incorporate images of a figure turned away from the viewer alongside text that commented on the experience of women of colour in the patriarchy, as evidenced in The Waterbearer (1996 New York Sean and Mary Kelly col A lone female figure pours water from two containers and the text at the bottom proclaims She Saw ...