1-3 of 3 Results  for:

  • Music Critic x
  • Arts and Leisure x
  • 1972–present: The Contemporary World x
  • 1955–1971: Civil Rights Era x
  • Performing Arts x
Clear all

Article

Barry Kernfeld

(b New Orleans, Oct 18, 1961). American trumpeter, composer, bandleader and educationist, brother of Branford Marsalis. From an early age he studied both jazz and classical music. When he was 14 he performed Haydn’s Trumpet Concerto with the New Orleans PO and while a student at the Juilliard School he joined Art Blakey’s Jazz Messengers (1980). He toured in a quartet with Herbie Hancock, Ron Carter and Tony Williams and recorded his first album as leader (1981), then in early 1982 left Blakey to form a quintet (1982–5) with his brother Branford; he also toured with Hancock in 1983 as a member of the quintet V.S.O.P. II. In 1984 he became the first musician to win Grammy awards for both a jazz recording and a classical recording. Marsalis completed his first large-scale suite, Soul Gestures in Southern Blues ...

Article

James Sellman

Trumpeter Wynton Marsalis is the leading figure in contemporary Jazz. He burst onto the jazz scene as part of Art Blakey's 1980 edition of the Jazz Messengers. More than an inventive and talented musician, Marsalis has become the de facto spokesman for the neoclassical movement in jazz that emerged in the early 1980s, drawing inspiration from acoustic jazz styles that antedate the free jazz and jazz-rock of the late 1960s and 1970s. He has also worked effectively as a jazz educator, particularly for his four-part Public Broadcasting System (PBS) series Marsalis on Music, which won a Peabody Award in 1996.

Besides achieving acclaim as a musician, Marsalis emerged in the 1980s as an outspoken and controversial figure in America's ongoing dialogue on race and culture. His ideas on jazz and African American culture are indebted to the thinking of Albert Murray and Murray's intellectual disciple, Stanley ...

Article

Jennifer H. Poulos

Lorenzo Thomas emerged from the Black Arts movement as one of the most prolific poets of the 1970s. Though best–known for his poetry, he also actively promotes the understanding and appreciation of all African American cultural forms, particularly music. Born in Panama to Herbert Hamilton Thomas and Luzmilda Gilling Thomas, Thomas immigrated to New York in 1948. As a native Spanish speaker, Thomas traces his interest in literature to his struggle to learn English in order to fit in with his schoolmates. While attending Queens College in the 1960s, Thomas joined the Umbra workshop, one of several experimental literary groups from which the Black Arts movement grew. Here, Thomas developed a poetic style marked by a wariness of the media and mass culture, pride in the African heritage and history, and a strong sense of political engagement. While Thomas also works powerfully in the lyric mode such ...