ceramist, sculptor, filmmaker, and cofounder (with her husband, James Hatch) of the Hatch‐Billops Collection, an archive of African American cultural history, was born in Los Angeles, California, to Lucius Billops, a cook and merchant seaman, and Alma Gilmore, a dressmaker, maid, and aircraft assembly worker. Billops graduated from Catholic Girls High School in 1952, and in 1954 she began her studies at the University of Southern California. She majored in occupational therapy, which included drawing, sculpture, and ceramics. She transferred to Los Angeles State College in 1956 after she became pregnant, and then she changed her major to special education. Billops worked during the day as a bank bookkeeper and maintained a full academic workload in the evening. At the end of 1956 her daughter, Christa, was born, and Billops put her up for adoption. This was an experience she would explore in her 1992 ...
Caryn E. Neumann
a still photographer and documentary filmmaker, was born in Houston, Texas, the second child and only daughter of the schoolteacher Mollie Carroll Parrott and the dentist Frederick Douglas Parrott Sr. At least one grandparent had been born a slave. Both parents were the first in their respective families to obtain advanced college degrees, but racism kept the family poor. The Parrotts lived in the Third Ward, one of Houston's African American neighborhoods, and Blue attended a segregated grade school. As she wrote in her memoir, The Dawn at My Back, the challenges of growing up poor and black in a racist, classist society put a shadow over her life.
Blue did not intend to pursue a career in the visual arts. She enrolled as an English literature student, specializing in the sixteenth- and seventeenth-century English Renaissance period, at Boston University in 1960 with the goal of becoming ...
Jason Philip Miller
photographer, was born in Columbus, Ohio. Details about Cowans's upbringing and early education are difficult to come by. He attended local schools and around 1954 matriculated to Ohio University, where he undertook a study of photography. There he fell under the influence and tutelage of the great Clarence White Jr., one of the founders (along with Alfred Stieglitz and others) of the Photo-Secession movement, which helped to solidify photography as a legitimate art form. He earned a bachelor of fine arts degree in Photography in 1958 and subsequently enlisted in the U.S. Navy, which he served as a photographer until his discharge in 1960.
Upon leaving military service, Cowans removed to New York, intent on pursuing a career in photography. There he landed a job at Life magazine, at the time perhaps the most famous and widely distributed photo magazine in the United States. With Life ...
Pamela Lee Gray
dancer, painter, choreographer, actor, author, photographer, director, musician, and costume and set designer, was born in Port of Spain, Trinidad. He was one of four children of middle-class parents of Irish, French, and African descent.
Holder was educated at Queen's Royal College in Port of Spain. His grandfather, Louis Ephraim, was a French painter whose influence led both Holder and his older brother Boscoe to begin experimenting with oils Geoffrey began teaching himself to paint at age fifteen when he was forced to stay home from school due to a prolonged illness He also learned much from Boscoe who was a pianist painter and dancer When Boscoe moved to England Geoffrey took over as director of his brother s dance company while continuing to create new paintings and display work at gallery exhibitions Holder s work was displayed at ...
visual artist, filmmaker, and cinematographer, was born in Tupelo, Mississippi, and grew up in Clarksdale, Mississippi, the son of Rowena and Arthur Fielder. He studied architecture and film at Howard University from 1978 to 1982. While there, he worked with the filmmaker Haile Gerima, who became a mentor and an influential friend. Jafa's concerns with the centrality of the Middle Passage and slavery in the African Diaspora led him to rethink the political and aesthetic importance of defining “blackness,” and how what Jafa called “primal sites” are crucial to any project concerned with the liberation of people of African descent.
Renowned for his cinematography on Julie Dash's path-breaking film Daughters of the Dust (1992 Jafa put into practice techniques he had long been theorizing Black Visual Intonation was a radical aesthetic notion about the mechanics of filmmaking Jafa won Sundance Film Festival ...
Gordon Parks's first two publications-Flash Photography (1947) and Camera Portraits: The Techniques and Principles of Documentary Portraiture (1948)-while written primarily for the professional photographer, reveal an aesthetic and a social commitment that structures the astonishing diversity of his subsequent work. Embodying his conviction that the photographer must combine technical intelligence, especially in the use of light, with a sensitive response to people, both works are photographic portfolios representing a cross-section of American lives—rural and urban, wealthy and leisured, poor and laboring.
Frequently identified as a Renaissance man, given the range of his accomplishments and the variety of media he has used, Parks was also the first African American to work for Life, Vogue the Office of War Information and the Farm Security Administration and one of the first African Americans to write direct produce and score a film While the commercial success of his ...
photographer, poet, writer, composer, and filmmaker. Born the fifteenth and final child of a farming family in Fort Scott, Kansas, Gordon Roger Alexander Buchanan Parks was born on 30 November 1912 Parks attended a segregated school where he was often stoned beaten and called derogatory names Three of his close friends had been killed because of racial violence and he was distinctly aware of the constant threat that faced him simply because he was African American and lived in the United States Parks s mother died when he was sixteen after which complying with his mother s wishes Parks moved to Minneapolis to live with his sister and brother in law Unwelcome in his brother in law s home Parks spent the winter homeless but managed to finish high school by working odd jobs He believed above all that the difficulty of his experiences ...
Gordon Parks was born in Fort Scott, Kansas, the son of a dirt farmer and the youngest of fifteen children. He left home when he was fifteen, shortly after his mother's death. After an unhappy attempt to move in with a married sister in Minneapolis, Minnesota, Parks ended up spending a frigid winter homeless, an experience that sensitized him to the plight of the poor and that he would draw on in later photography and films. At the time, his hunger and loneliness nearly led him to a life of crime; however, he managed to struggle through high school for a while, working odd jobs herding cattle, carrying bricks, and even touring with a semiprofessional basketball team.
Working as a waiter on the Northern Pacific Railroad, Parks saw magazine photos produced by the Farm Security Administration, a federally funded project that chronicled the Great Depression in rural and ...
Lisa E. Rivo
photographer, filmmaker, author, and composer, was born Gordon Roger Alexander Buchanan Parks in the small prairie town of Fort Scott, Kansas, to Andrew Jackson Parks, a dirt farmer, and Sarah Ross, a maid. Gordon was the youngest of fifteen children, the first five of which, he later discovered, were really half siblings, born to his father and a woman other than his mother. Parks's poor Kansas childhood, and his memories of its unbridled racism, feature prominently in his later work, especially his books “thick with those memories.” The first phase of Parks's life ended with the death of his mother in 1928. “Before the flowers on my mother s grave had wilted Parks remembered my father had me on a train to my sister in Minnesota I ran into some hell there Russell 145 Within a month of his arrival in Minneapolis ...
C. M. Winston
artist, curator, art historian, filmmaker, writer, and activist, was born in Philadelphia, Pennsylvania, the only child of Howard Pindell and Mildred, both educators. By the age of eight Pindell already aspired to be an artist, and she attended Saturday drawing classes at the Fleischer Art Memorial.
Pindell graduated cum laude with a BFA from Boston University and earned an MFA from Yale University's School of Art and Architecture in 1967. She moved to New York City in 1967 after graduating from Yale and she worked primarily as a painter of nonobjective and figurative works during the early years of her career That year she landed a job at the Museum of Modern Art MoMA as an exhibition assistant in the department of national and international circulating exhibitions At MoMA she rose through the ranks from curatorial assistant to associate curator in ...
Pamela Lee Gray
dancer, artist's model, and dance instructor, was born in Early County, Georgia, sometime in 1908. Information about her parents and childhood years is unavailable.
Known professionally throughout her career as Maudelle, Bass moved to California around 1933 and attended classes at the Gray Conservatory of Music and Art in South Central Los Angeles. Bass was the first black dancer to be trained by modern choreographer Lester Horton, and she later danced with her instructor as part of the Lester Horton Dance Group. Bass trained in the Mary Wigman and Bess Mensendieck dance techniques, which stressed interpretation and stark movement, often without music or to a simple drum or percussion instrument. Dr. Bess Mensendieck taught to liberate women from traditional movement and showcased the use of the natural body as a modern form.
Bass also joined a number of black dancers who were interested in studying ...