ceramist, sculptor, filmmaker, and cofounder (with her husband, James Hatch) of the Hatch‐Billops Collection, an archive of African American cultural history, was born in Los Angeles, California, to Lucius Billops, a cook and merchant seaman, and Alma Gilmore, a dressmaker, maid, and aircraft assembly worker. Billops graduated from Catholic Girls High School in 1952, and in 1954 she began her studies at the University of Southern California. She majored in occupational therapy, which included drawing, sculpture, and ceramics. She transferred to Los Angeles State College in 1956 after she became pregnant, and then she changed her major to special education. Billops worked during the day as a bank bookkeeper and maintained a full academic workload in the evening. At the end of 1956 her daughter, Christa, was born, and Billops put her up for adoption. This was an experience she would explore in her 1992 ...
Jason Philip Miller
photographer, was born in Columbus, Ohio. Details about Cowans's upbringing and early education are difficult to come by. He attended local schools and around 1954 matriculated to Ohio University, where he undertook a study of photography. There he fell under the influence and tutelage of the great Clarence White Jr., one of the founders (along with Alfred Stieglitz and others) of the Photo-Secession movement, which helped to solidify photography as a legitimate art form. He earned a bachelor of fine arts degree in Photography in 1958 and subsequently enlisted in the U.S. Navy, which he served as a photographer until his discharge in 1960.
Upon leaving military service, Cowans removed to New York, intent on pursuing a career in photography. There he landed a job at Life magazine, at the time perhaps the most famous and widely distributed photo magazine in the United States. With Life ...
Pamela Lee Gray
dancer, painter, choreographer, actor, author, photographer, director, musician, and costume and set designer, was born in Port of Spain, Trinidad. He was one of four children of middle-class parents of Irish, French, and African descent.
Holder was educated at Queen's Royal College in Port of Spain. His grandfather, Louis Ephraim, was a French painter whose influence led both Holder and his older brother Boscoe to begin experimenting with oils Geoffrey began teaching himself to paint at age fifteen when he was forced to stay home from school due to a prolonged illness He also learned much from Boscoe who was a pianist painter and dancer When Boscoe moved to England Geoffrey took over as director of his brother s dance company while continuing to create new paintings and display work at gallery exhibitions Holder s work was displayed at ...
Lisa E. Rivo
photographer, filmmaker, author, and composer, was born Gordon Roger Alexander Buchanan Parks in the small prairie town of Fort Scott, Kansas, to Andrew Jackson Parks, a dirt farmer, and Sarah Ross, a maid. Gordon was the youngest of fifteen children, the first five of which, he later discovered, were really half siblings, born to his father and a woman other than his mother. Parks's poor Kansas childhood, and his memories of its unbridled racism, feature prominently in his later work, especially his books “thick with those memories.” The first phase of Parks's life ended with the death of his mother in 1928. “Before the flowers on my mother s grave had wilted Parks remembered my father had me on a train to my sister in Minnesota I ran into some hell there Russell 145 Within a month of his arrival in Minneapolis ...
Pamela Lee Gray
dancer, artist's model, and dance instructor, was born in Early County, Georgia, sometime in 1908. Information about her parents and childhood years is unavailable.
Known professionally throughout her career as Maudelle, Bass moved to California around 1933 and attended classes at the Gray Conservatory of Music and Art in South Central Los Angeles. Bass was the first black dancer to be trained by modern choreographer Lester Horton, and she later danced with her instructor as part of the Lester Horton Dance Group. Bass trained in the Mary Wigman and Bess Mensendieck dance techniques, which stressed interpretation and stark movement, often without music or to a simple drum or percussion instrument. Dr. Bess Mensendieck taught to liberate women from traditional movement and showcased the use of the natural body as a modern form.
Bass also joined a number of black dancers who were interested in studying ...