Alston was born in Charlotte, North Carolina. As a teenager, he served as the art editor for his high school's annual magazine. Alston earned both his undergraduate and M.A. degrees from Columbia University in New York City. He gained popular recognition for his cover illustrations for the periodicals The New Yorker and Collier's. In the 1930s Alston taught at the Harlem Art Workshop, where he was a proponent of muralism as a black art form, and from 1935 to 1936 Alston directed the Harlem Hospital murals for the Federal Arts Project. In 1950 he became the first African American teacher at the Art Students League in New York. His best-known works are the paintings Family and Walking, which are noted for their figurative content, sculptural form, and brilliant color, and which portray the experiences of African American families in the 1950s and 1960s.
Mary Anne Boelcskevy
artist and teacher, was born in Charlotte, North Carolina, the youngest of five children of the prominent Episcopalian minister Primus Priss Alston and his second wife, Anna (Miller) Alston. Nicknamed “Spinky” by his father, Charles showed his artistic bent as a child by sculpting animals out of the red clay around his home. His father died suddenly when Charles was just three. In 1913 his mother married a former classmate, Harry Pierce Bearden (uncle of Romare Bearden), and the family moved to New York City. Charles's stepfather worked at the Bretton Hotel as the supervisor of elevator operators and newsstand personnel, and over the years the family lived in comfortable brownstones in better neighborhoods.
Alston attended DeWitt Clinton High School, where he was art editor of the student newspaper the Magpie during the week and he studied at the National Academy of Art on Saturdays He turned ...
Glenn Allen Knoblock
artist and political activist, was born in Baltimore, Maryland. In 1937 Bolden received a four‐year scholarship to the Philadelphia Museum School of Art, where he majored in illustration and advertising design. Upon his graduation he became an artist and layout designer for a top advertising agency in Philadelphia. His duties included prep work for original work by Norman Rockwell. In fact Bolden and Rockwell became close friends, and it was Rockwell who “encouraged Bolden to use neighbors and local townspeople as models for his art,” according to a New Hampshire Circle of Friends flyer.
After World War II Mel Bolden moved to New York and became a full‐time illustrator, working first for black newspapers, then for such general magazines as Fortune, Saturday Review, Colliers, Saturday Evening Post, Boy's Life, as well as for major newspapers like the New York Times and the New York ...
American painter and illustrator. He was a leading artist of the Harlem Renaissance of the 1920s and 1930s (see African American art §I 2.). He studied at the University of Nebraska and then in Paris with Charles Despiau and Othon Friesz (1925–31). Douglas was the earliest African American artist consciously to include African imagery in his work, which emphasized the creativity and continuity of African American culture, despite slavery and segregation. He was, however, criticized by his contemporaries for his idealism. In 1934, under the sponsorship of the Public Works of Art project (see United States of America, §XII), he designed a number of murals, including four panels depicting Aspects of Negro Life for the Schomburg Library in Harlem (New York, Pub. Lib.); this work and such others as Judgment Day (1939; USA, priv. col., see exh. cat., no. 99) and Building ...
Aaron Douglas was born in Topeka, Kansas. After graduating from the University of Nebraska, he taught art at Lincoln High School in Topeka from 1923 to 1925. He moved to Harlem, New York in 1925, the year cultural critic and philosopher Alain Leroy Locke launched the New Negro movement. This movement expressed African Americans' new pride in their African heritage, which manifested itself in literature, song, dance, and most significantly for Douglas, art.
Douglas soon made the acquaintance of German American portrait artist Winold Reiss, who illustrated the March 1925 issue of Survey Graphic an issue devoted to the New Negro movement and edited by Locke Both Reiss and Locke encouraged Douglas to develop his own aesthetic from design motifs in African art Douglas followed their suggestions and sought examples of African art which in the 1920s were beginning to be purchased by American museums ...
Douglas, Aaron (26 May 1899–02 February 1979), artist and educator, was born in Topeka, Kansas, the son of Aaron Douglas, Sr., a baker, and Elizabeth (maiden name unknown), a domestic. Educated in segregated schools until high school, Douglas’s early artistic influences included his mother’s paintings and drawings and fellow African-American artist Henry Ossawa Tanner’s Christ and Nikodemus (1899), which young Douglas saw reproduced in a magazine.
Torn between becoming a lawyer and an artist after graduating from Topeka High School Douglas like thousands of other black laborers headed to the urban centers of the North in search of a factory job Unlike most of them however Douglas was intent on saving enough money to attend college in the fall Arriving in Detroit Michigan he worked as a plasterer but finding this work too much for his slight frame he worked for Cadillac loosening molding sand from ...
Amy Helene Kirschke
artist and educator, was born in Topeka, Kansas, the son of Aaron Douglas Sr., a baker from Tennessee, and Elizabeth (maiden name unknown), an amateur artist from Alabama. Aaron had several brothers and sisters, but he was unique in his family in his singular drive to pursue higher education. He attended segregated elementary schools and then an integrated high school. Topeka had a strong and progressive black community, and Aaron was fortunate to grow up in a city where education and social uplift were stressed through organizations such as the Black Topeka Foundation. He was an avid reader and immersed himself in the great writers, including Dumas, Shakespeare, and Emerson His parents were able to feed and clothe him but could offer him no other help with higher education When he needed money to pursue a college degree he traveled via rail to Detroit where ...
A. B. Christa Schwarz
artist. Known as the “father of Black American art,” Aaron Douglas significantly influenced the field of black visual arts and dominated the visual sphere of the Harlem Renaissance, the first African American cultural movement. Douglas was born in Topeka, Kansas, one of several children of the baker Aaron Douglas Sr. from Tennessee and his wife, Elizabeth, a homemaker from Alabama. Douglas developed an interest in art at an early age, graduated from the University of Nebraska with a bachelor of fine arts degree in 1922, and took a teaching position at Lincoln High School in Kansas City in 1923, staying until 1925. Desiring to further develop his own craft and inspired by the 1925 Harlem issue of the sociology journal Survey Graphic, Douglas moved to Harlem in 1925.
Interpreting the Harlem Renaissance as an opportunity to replace old stereotypical images of African Americans ...
visual artist, was born in Long Creek, North Carolina, the only child of Joseph Kelley and Ella Kelley, farmers. Evans was raised primarily by her maternal grandmother, a domestic worker in the Wrightsville Beach resort community. Evans also believed she had roots in the Caribbean, and specifically, Trinidad, which was reported to be the ancestral home of a female slave ancestor who came to the United States via the Charleston seaport. While Evans was in the sixth grade, financial necessity forced her to abandon her studies. She became a sounder, a type of traveling vendor who sold shellfish from the Atlantic Ocean.
As a young girl, Evans had persistent, color-drenched dreams that informed her nascent, creative vision. The spectral revelations continued well into her adulthood, well after her marriage to Julius Caesar Evans at age sixteen. The Evanses had three sons, Elisha, David, and George ...
Minnie Jones Evans was raised by her mother, grandmother, and great-grandmother in Wilmington, North Carolina. She left school after the fifth grade and began working. She was perpetually employed in low-paying jobs. At age sixteen, in Wrightsville Beach, North Carolina, she married Julius Caesar Evans, with whom she had three sons. Her artistic career began on Good Friday in 1935, when she began drawing in response to visions, voices, and dreams she claimed to have since childhood, whose message, she said, was “Draw or die!”
Working with simple materials crayon graphite ink and oils on paper or board Evans created thousands of mixed media drawings and collages inspired by her visions in which stylized flowers and foliage exotic birds strange creatures angels and royal or divine figures are major motifs Self taught hence an outsider rather than folk artist and a devout Christian who knew the Bible by ...
artist, writer, illustrator and educator, was born Elton Clay Fax, the son of Mark Oakland and Willie Estele Fax in Baltimore, Maryland. Fax initially matriculated at the historically black institution Claflin University, in Orangeburg, South Carolina, but completed his studies and received a BFA at Syracuse University in Syracuse, New York, in 1931. On 12 March 1929, Fax married the former Grace Elizabeth Turner, and their union produced three children.
In 1934 Fax painted a well-received mural, commissioned by the Public Works of Art Projects (PWAP) at Baltimore's Dunbar High School, depicting the incorporation of southern, black agrarians into the urban, industrial north. Fax's representation of the Great Migration and a pluralistic American workforce was an ideal example of the American Social-Realist art that was supported by Franklin Delano Roosevelt's New Deal projects Social Realism was a popular style in the 1930s ...
Anne K. Driscoll
painter, printmaker, and illustrator, was born in Gardens Corner, South Carolina, the second of seven children of Ruth J. Green (a home manager) and Melvin Green (occupation unknown). Green is possibly the first person of Gullah descent to train at a professional art school. The Gullah are the descendants of West African slaves who lived on and near the Sea Islands of Georgia and South Carolina.
Great things were expected of Green from the time of his birth. He was born with an inner fetal membrane covering his head and for this reason was considered a “child of the Veil” (Green). In Gullah culture the Veil marks children “touched by uncommonness and magic that will bring inordinate grace to the community.” Traveling to New York seeking employment, Green's mother left Green in the care of his maternal grandmother, Eloise Stewart Johnson Green was interested in art ...
Timothy L. Jackson
cartoonist and illustrator, was born Jay Paul Jackson in Oberlin, Ohio. He was the fourth child and only son of Nellie Curry and Franklin R. Jackson. Jay Jackson tried his hand at a variety of trades before discovering his aptitude for cartooning. At the age of thirteen he joined the workforce, pounding railway spikes for a railroad company located just outside of Columbus, Ohio. He then worked as a steelworker in Pittsburgh, Pennsylvania, and had a brief career as a boxer while Ohio Wesleyan University in Delaware, Ohio, from 1925 to 1926. During his time at Wesleyan, an instructor redirected his interests toward the field of advertising.
At the age of nineteen, Jackson wed his first wife, Adeline C. Smith (?–1924 and started a successful sign painting business However this success cost him his health Jackson suffered a severe case of lead poisoning caused by ...
Timothy L. Jackson
editorial cartoonist and illustrator, was born Ahmed Samuel Milai in Washington, D.C.
During the 1930s Milai served as illustrator of Joel Augustus Rogers's black history comic titled Your History. Rogers's comic brouge4820ht readers of the black press information about the remarkable achievements of individuals throughout the African diaspora, which was conspicuously absent from elementary school history books across America. The fully illustrated Your History comic was presented in a style similar to that of the popular Ripley's Believe it or Not! feature. Although Milai worked in association with the Pittsburgh Courier, Your History also appeared in a number of other black press publications nationally.
On 31 July 1937 the Pittsburgh Courier debuted Milai's comic domestic family strip titled Bucky This weekly comic strip centered on an adolescent boy and his interaction with his parents schoolmates and the obligatory assortment of tough guys and bullies Over the ...
Thomas H. Wirth
Nugent, Richard Bruce (02 July 1906–27 May 1987), artist and writer was born in Washington D C the son of Richard Henry Nugent Jr a Pullman porter and Capitol elevator operator and Pauline Minerva Bruce Nugent Although his mother s family was prominent among Washington s African American elite the Nugents were of modest means A precocious child Nugent read widely in his father s larger than average library He was only thirteen years old and already attending Washington s renowned Dunbar High School when his father died of galloping consumption Shortly thereafter his mother moved to New York City where she secured employment as a waitress and maid Nugent and his brother Gary Lambert Pete Nugent remained with relatives in Washington for a few months then joined their mother in New York Bruce Nugent secured employment as a delivery boy and later as a bellhop His ...
The son of Richard Henry and Pauline Minerva Nugent, Richard Bruce Nugent left Washington, D.C. with his recently widowed mother at the age of thirteen and moved to New York City, where he attended Dunbar High School. To support himself Nugent worked as an errand boy, bellhop, designer, and elevator operator, as well as a “secretary and a confidance man for a modiste.”
Openly gay at the age of nineteen, Nugent went by the name Richard Bruce to protect his mother from public embarrassment about his homosexuality. Although his gay identity cost him some friendships, Nugent associated with gay and bisexual contemporaries Langston Hughes, Carl Van Vechten, E. M. Forster, and Alain Locke. His dramatic “ultimate bohemian” style was the basis for Wallace Thurmanapos;s character Paul Arbian in Infants of the Spring (1932 the roman a clef that satirized figures of ...
portrait artist and illustrator, was born in Detroit, Michigan, and grew up in the predominantly black west side of the city. He was the second of three children born to Carl Frank Owens, a bus driver, and Ada Mae Lightfoot Owens. As early as when he was four years old, Owens became well known in his neighborhood for his ubiquitous sketchpad and his ability to make likenesses of his family and playmates. His early formal education included attendance at Sampson Elementary, McMichael Middle School, and Northwestern High School, from which he graduated in 1949.
Although Owens's parents were supportive of his choice to make a career as an artist, they also encouraged him to pursue teaching. In 1952 he earned a bachelor of science degree in art education from Wayne State University That same year Owens landed his first professional job teaching art in the ...
artist, illustrator, and textile designer, was born in the Bronx, New York. Her father was a public school teacher of Latin and Greek from Augusta, Georgia, while her mother was from Roanoke, Virginia. Piper was raised and spent most of her life in New York City. Her interest in painting began when she was in high school. Although she was offered a four-year scholarship to the Pratt Institute, a New York art school, in 1936 she instead enrolled in Hunter College with the intention of becoming a teacher. In 1940 she graduated, receiving a BA in Fine Arts, with a minor in geometry. From 1943 to 1946 she continued her art education at the Art Students League in New York City, where her most influential teachers were painters Yasuo Kuniyoshi and Vaclav Vytlacil.
Piper was awarded a fellowship from the Rosenwald Foundation in 1946 allowing ...
Cynthia Haveson Veloric
artist and educator, was born Raymond Jennings Saunders and raised in Pittsburgh, Pennsylvania. He attended Schenley High School and the Carnegie Institute of Technology, where talented high school students could pursue the arts six days a week and exhibit their work in a prestigious venue. Saunders later said,
From a young age I was going to school six days a week and loving it. You were welcomed to do all kinds of things. I had no conception that those opportunities weren't available to everybody. When I got to the outside world, I found a lot of pain. But my teachers told me, ‘If you ever think about stopping making art, come talk to us.’ So that support followed me.
(Chase,)In 1953 Saunders received a National Scholastic Scholarship His academic achievements and the strong support of his teachers gave him the lifelong desire to teach and inspire young ...
Albert Smith was born in New York, New York He was trained in piano and guitar at the Ethical Culture High School in New York and later studied at the National Academy of Design in Belgium where he twice won the Suyden Bronze Medal After serving in a military ...