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Carmen Oquendo-Villar

José Bedia was born in Havana, Cuba, where he pursued his formal artistic education at the Academia de Artes Plásticas San Alejandro and at the Instituto Superior de Arte. He left Cuba in 1991 and spent a brief time in Mexico before establishing himself in Miami in 1993. Bedia's work—drawings on paper; oil paintings on canvas; works in ink, acrylic, charcoal, oil crayons; and installations—derives most of its power from Cuba's African heritage, sometimes bringing to mind Kongo cosmograms (geometric designs which carry religious meanings) and Abakuá (Afro-Cuban all-male secret societies) ideographic writing. Texts in Spanish, Yoruba, or Bantu languages accompany many of his pieces. Despite the deep presence of African art Bedia's work, Cuban critic Gerardo Mosquera has labeled it postmodern Kongo art because it does not pretend to be a reenactment of original African art.

Bedia s adherence to local attitudes does not prevent him ...