1-4 of 4 Results  for:

  • Art and Architecture x
  • Installation Artist x
Clear all

Article

Born in Houston, Texas, Melvin Edwards studied painting at the University of Southern California (USC), and began sculpting in 1960. Five years later he received his B.F.A. degree from USC. Edwards first gained critical attention with a series of sculptures entitled Lynch Fragments, which he had begun in 1963. By 1997 the series included more than 150 individual works made from both forged and welded parts of knife sheaths, automotive gears, chains, ball bearings, horseshoes, and other metal. The works, each of which is about the size of a human head and hangs on a wall, explore themes of violence and incorporate both American and African symbolism.

In 1967 Edwards moved from California to New Jersey, and his work began to shift away from the manipulated, unpainted metal. A solo exhibition at the Walker Art Center in Minneapolis, Minnesota, in 1968 included geometric shapes painted ...

Article

Aaron Myers

David Hammons was born in Springfield, Illinois. After growing up in the Midwest, he moved to Los Angeles in 1964 to study art. In the 1960s, the progress of the Civil Rights Movement and the inception of the Black Power Movement encouraged artists of African descent to both produce a more racially conscious art and challenge stereotypes of African Americans. After completing his studies in 1972, Hammons began to create prints of his body using margarine or grease. In 1975 he made Harlem his home and started forging sculptures from materials he collected on the street. He executed these assemblages in public spaces using such found objects as spades, chains, bottle caps, deflated inner tubes, barbecue bones, and African American hair in an effort to explore African American identity.

The spade is a reoccurring motif in Hammons s body prints and sculptures He said I remember being called ...

Article

Morgan Falconer

American installation artist, performance artist and sculptor. He studied in Los Angeles at the Chouinard Art Institute and the Otis Art Institute before settling in New York in 1974. He first gained a reputation for his series of Body Prints in the early 1970s. Often resembling X-rays in their detail and translucency, they are direct imprints of the body made on paper with grease. Injustice Case (1973; Los Angeles, CA, Mus. Contemp. A.) is typical in dealing with a contemporary racial issue, with the American flag framing the image presented in opposition to cultural and racial stereotypes; see also African–American Flag, 1990. Contemporaneous with these were the Spade series which featured garden spades as defiant metaphors for his race appropriating a derogatory term used by prejudiced whites These served as a prelude to the found object sculptures he began to make in the ...

Article

Terrie Sultan

painter, photographer, printmaker, and installation artist, was born in Birmingham, Alabama, the second son of James Marshall, a postal service worker, and Ora Dee Prentice Marshall, a songwriter and entrepreneur, both of Birmingham. Marshall's family moved to Los Angeles in 1963, living in the Nickerson Gardens public housing project in Watts before settling in South Central Los Angeles.

Marshall s artistic inclinations were kindled by a kindergarten teacher at Birmingham s Holy Family Catholic School who kept a picture filled scrapbook for her young charges This image compendium fed Marshall s obsession with making art Impressed by his creativity and drive his elementary junior high and high school teachers encouraged him with special opportunities Marshall learned his first painting techniques from his third grade teacher Later an art instructor at George Washington Carver Junior High introduced Marshall to the Los Angeles County Museum ...