artist, was born in France, but the exact place of his birth is unknown. Nothing is known about his parents or his youth, but it seems likely that he received a traditional artistic education in Europe. Lion's lithographs were exhibited at the prestigious Paris Salons of 1831 (four prints, including L'affût aux canards [Duck Blind], which won honorable mention), 1834 (four works, including a scene based on Victor Hugo'sNôtre Dame de Paris), and 1836 (lithographs after Van Dyck, Jacquand, Waltier, Boulanger, and others). In the mid-1830s Lion immigrated to New Orleans, where the 1837 city directory listed him as a freeman of color and as a painter and lithographer; he worked in a lithography shop opened by the newspaper L'Abeille (The Bee Light skinned Lion often passed for white and appeared in other records as such His studio was located at ...
crystal am nelson
professor, printmaker, artist, and curator, was born Stephanie Elaine Pogue in Shelby, North Carolina, to Elbert Hugo Pogue, a doctor, and Mildred Wallace. She was raised in Elizabeth, New Jersey.
In 1962 Pogue enrolled in Syracuse University, but transferred to Howard University one year later. She earned a bachelor of fine arts degree in painting from Howard in 1966 and a master of fine arts degree from Cranbrook Academy in Michigan in 1968. Her art historical expertise included the sculptural art of the Bamana people of Mali, reliquary art of the Bakota people in Gabon, and the sacred Hindu art of India. In 1968 she joined the fine arts faculty as an assistant professor for Tennessee's Fisk University, one of the first Historically Black Colleges and Universities (HBCUs) and the alma mater of W. E. B. Du Bois During her tenure ...
Melissa A. Kerr
artist and educator, was born in Roxbury, Massachusetts, one of four children of Reginald and Violet Wilson, immigrants from British Guiana. Wilson's parents held working-class positions in the Boston area but were forced onto public relief at the onset of the Great Depression. In 1938 Wilson attended the Roxbury Boys Club, where he took art classes taught by graduate students from the School of the Museum of Fine Arts, Boston. These students passed on the techniques of their teacher, the Russian émigré painter Alexandre Iacovleff, whose lessons stressed the meticulous rendering of the human form. Wilson's student drawings, often emulative of Iacovleff's conté crayon technique, were so impressive that his instructors brought a portfolio of his work to the attention of the School of the Museum of Fine Arts, which led to a full scholarship in 1939.
At the School of the Museum of Fine Arts ...