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Article

Kate Tuttle

The son of an Ethiopian father and a mother of French and African descent, Peter Abrahams was considered “Coloured” in the South African racial classification scheme. He grew up outside Johannesburg and began working at the age of nine, never having attended school. He later enrolled, however, after he was inspired by hearing Othello read to him by a coworker. As a teenager Abrahams discovered works by African American writers such as W. E. B. Du Bois, Countee Cullen, Langston Hughes, Claude McKay, and Jean Toomer in the library at the Bantu Men's Social Centre.

Abrahams began publishing his own poems in local newspapers while studying at a teachers’ training college. While enrolled at St. Peter's Secondary School—a fertile political environment—Abrahams became a member of the Communist Party of South Africa (later renamed the South African Communist Party After his failed attempt to start a school for poor African ...

Article

Richard Newman

George Alexander McGuire (1866–1934) was an Antiguan ordained in the Episcopal Church in the United States who responded enthusiastically to the Black Nationalism of Marcus Garvey. McGuire envisioned an autonomous black church in the Episcopal tradition as a dimension of the Garvey Movement, much as the Anglican Church served as an international aspect of the British Empire. In 1921 he founded the African Orthodox Church (AOC) in New York. It attracted primarily West Indians sympathetic to Anglicanism, but also some Episcopalians and Roman Catholics who saw little future for blacks in American churches.

Garvey himself never joined the AOC, and in fact warned against both religious divisiveness and competing loyalties to his Universal Negro Improvement Association McGuire vigorously promoted a racially identified faith creating nationalist liturgies and calling for the image of a black Christ Unable to secure consecration to the bishopric from recognized authorities ...

Article

Gonzalo Aguirre Beltrán was born and received his primary and secondary schooling in Veracruz, where there was a strong African influence, before studying medicine in Mexico City. In the 1920s and 1930s intellectuals such as José Vasconcelos undertook pioneering studies of Indians in Mexico, whose culture and history had largely been viewed with disdain until then. The studies resurrected a degree of interest in and dignity for Indian heritage. Although Vasconcelos argued that much of indigenous culture should be subsumed in a larger Mexican culture, Aguirre Beltrán believed that indigenous cultures were worthy of study for their own sake. After graduating from the University of Mexico with a medical degree, Aguirre Beltrán returned to Veracruz, where he held a post in public health that further sparked his interest in Indian ethnicity and history. In 1940 he published two studies on the ethnohistory of colonial and precolonial Indians in ...

Article

Miguel Algarín was born in Santurce, Puerto Rico. His family emigrated from Puerto Rico to the Lower East Side of Manhattan, New York, when he was nine years old. The Lower East Side's Latin urban landscape served as the foundation for his literary career. Algarín obtained his B.A. in romance languages from the University of Wisconsin in 1963 and his M.A. in English literature from Pennsylvania State University in 1965. He completed his doctoral studies in comparative literature at Rutgers University. He served as an instructor at Brooklyn College and New York University before becoming an assistant professor and chair of the Puerto Rican Studies department at Rutgers University. He is currently a professor emeritus at Rutgers.

While Algarín is a popular educator he is best known as one of the most active authors in the Puerto Rican poetic movement that flourished in New York City in the ...

Article

Jorge Amado, who wrote more than thirty novels during his career, played a significant role in representing African culture in Brazilian literature. Among his subjects are the blacks of Salvador, in Amado's home state of Bahia, and the African religious rituals that sustain them. Although Amado's approach to Afro-Brazilian traditions is sympathetic and exceptionally detailed, his Bahian novels have met with much controversy. A younger generation of Brazilian and non-Brazilian critics have accused Amado of creating overly exotic portraits of black culture and creating simplistic, class-bound character types.

Amado the son of a plantation owner in Bahia attended a Jesuit college at age 12 However after just one year he rebelled against the strict lifestyle at the school and left to live with his grandfather During the 1930s Amado joined the Brazilian Communist Party and his writings from this period reflect his ideological commitment to communism These works such ...

Article

John Burdick

The worship of Anastacia began in Brazil in the early 1970s The devotion to her centers upon a striking portrait of a young black woman with piercing blue eyes wearing a face iron an iron face mask that slaves were made to wear as a form of punishment Legend has it that Anastacia was tortured with the face iron when she refused to submit to the lust of her master Legend also has it that before she died she forgave her master and cured his child of a fatal disease Although the Catholic Church denounces the devotion to her as superstition at best and heresy at worst millions of Brazilians of all colors are deeply devoted to this woman whom they regard as possessing in death unparalleled supernatural powers Many of her devotees carry a small medallion of her image around their neck others keep a card with her ...

Article

Born in the Las Villas province of Cuba, Alfredo “Chocolate” Armenteros became a master of the island's distinctive, horn-led musical musical styles. As a horn-player, composer, and arranger, he contributed to the development of modern Afro-Latin popular music.

Armenteros is a virtuoso player of the trumpet and the flügelhorn. He is also the last surviving master of Cuban septeto music, which is performed by a small ensemble featuring a trumpet backed by stringed instruments and percussion. He has played in many Latin American musical genres, including Afro-Latin Jazz big bands, small-group Cuban Descargas (jam sessions), and Salsa Music. On the 1979 album Knockdown Calypsoes. Armenteros convincingly re-created the sound of the Calypso bands of Trinidad in the 1930s and 1940s. Armenteros's trumpet-playing is instantly recognizable. Rather than seeking harmonic complexity or intricate rapid-fire melodies, typical of jazz trumpet playing since the Bebop era he projects a ...

Article

Marcelino Arozarena is considered one of the founders of poesía negra, or black poetry, in the Caribbean. Born in Havana, Cuba, he published his first poems in the 1920s in the Havana literary journal La Palabra, directed by Communist leader Juan Marinello. Arozarena's famous poem, “Caridá,” asks why Caridad, a mulatto woman (of both African and European descent), has not shown up at a dance. The poet draws on the techniques of negrista or “blackist” poets, such as mimicking musical rhythms, using jitanjáfora (words whose sounds echo their meanings), and folkloric images of Afro-Cuban music and dance.

Arozarena was part of the first wave of negrista poets, which also included his fellow Cubans Ramón Güirao, Alejo Carpentier, and Regino Pedroso; Puerto Rican poet Palés Matos; and Mexican poet José Zacarías Tallet Together with these authors Arozarena helped spark a literary movement ...

Article

Francisco Ortega

Jorge Artel, whose real name was Agapito de Arcos, was born in Colombia, in the colonial city of Cartagena de Indias, once the major entryway for slaves into the Spanish colonies in South America. He grew up surrounded by the drumbeats of the cumbia music, slavery's violent legacies, and the history of resistance embodied in the many maroon communities that dotted the city's borders. In his poetry he evokes those images, especially, as Lawrence Prescott has noted, using the symbol of the drum as the unifying thread essential to the black experience in the Americas. Like other black poets in Spanish America, such as the Afro-Peruvian Nicomedes Santa Cruz (1925–1992) and the Cuban Nicolás Guillén (1902–1989 Artel does not single out race alone as the defining element that has shaped his life and his aesthetic vision For him as for the others class ...

Article

See also Contemporary Afro-Brazilian Music.

Article

Liliana Obregón

Albuino Azaredo was elected governor of Brazil's state of Espírito Santo (1991–1995). An Afro-Brazilian engineer and successful businessman, Albuino, along with Alceu Collares of the state of Rio Grande do Sul, became one of the first black governors to be elected in Brazil.

Azeredo ran for governor of Espírito Santo as a member of the Democratic Labor Party (PDT). Election patterns have not indicated that voters in Brazil vote along racial lines, but the PDT has an active and militant tradition of speaking about racial issues as part of its political platform. In 1982, for example, its electoral campaign emphasized its commitment to the black population. In addition, influential black leaders have been prominent members of the PDT, including famous black activist Abdias do Nasciamento.

Espírito Santo's Afro-Brazilian population makes up around half of the state's voters. Azeredo did not base his 1991 campaign ...

Article

Joaquín Balaguer was born in Villa Bisono in the Dominican Republic, on the Caribbean island of Hispaniola. After studying law in the capital city of Santo Domingo, he earned a doctorate at the University of Paris. In 1930 he became involved in a conspiracy that resulted in Rafael Leónidas Trujillo seizing the presidency. During Trujillo's long and dictatorial regime, Balaguer served in various ambassadorial posts abroad and also served as the Dominican Republic's minister of education and vice president. After Trujillo's oppressive rule officially ended, the country was led by a series of puppet leaders, with Trujillo pulling their strings. Balaguer began his presidency in 1960 as one such puppet. Trujillo, however, was assassinated in 1961. Balaguer remained president but faced massive popular protests for a return to democratic rule. In 1962 a general strike forced Balaguer from power He spent the next three years ...

Article

Miguel Barnet is the author of Biografía de un cimarrón (Autobiography of a Runaway Slave, 1966), which recounts Esteban Motejo's life as a runaway slave in Cuba and as a soldier in the Spanish-American War (1895–1898). Other works by Barnet include Canción de Raquel Rachel ...

Article

Born in New York of Puerto Rican heritage, Barreto joined Tito Puente's big band in the 1950s. In the 1960s, he established the Ray Barreto Orchestra, which recorded under the Fania label. In 1992 he established the Jazz band, New World Spirit.

See also Salsa Music.

Article

Joy Elizondo

Dubbed by the literary critic Richard Jackson the “dean of Afro-Uruguayan poets,” Pilar Barrios was a key figure in the development of the Uruguayan black press. Barrios was born in Montevideo. He got his start writing poetry for Nuestra Raza, the longest-running black periodical in Uruguay, founded by his sister María Esperanza Barrios in 1917. Thanks to their efforts, those of another contributing brother, Ventura, and a host of illustrious black writers like Elemo Cabral, Juan Julio Arrascaeta, and Virginia Brindis de Salas, the journal defended black intellectual potential and achievements in art, music, and science. The same motive would continue to dominate Barrios' own poetry throughout his lifetime.

With the help of Nuestra Raza, Barrios began to publish books of poetry. The first, titled Piel negra (1947 Black Skin focused on a variety of themes including black pride liberty ...

Article

Errol Walton Barrow was a founding member of the Barbados Labor Party (BPL) and the Democratic Labor Party (DPL).

See also Barbados.

Article

In June 1866 sailors from the United States who were importing Sugar from Cuba invited local Cuban dockworkers to play baseball. Thus began the Caribbean's initiation to the game, less than thirty years after its North American inception. In the few years that followed, baseball was pushed to the fore of Cuban consciousness by visiting North American businessmen, U.S. Marines, and wealthy Cuban students who had played at schools in the United States. By decade's end the development of a local talent pool was under way, and with the emerging political turmoil in the Caribbean around the turn of the century, both migrating Cubans and occupying Marines took the new pastime across the Caribbean basin.

At first baseball was played by Cuba s wealthy class lending it the exclusivity of polo cycling cricket soccer and other European sports that had taken root in the clubs of the Caribbean s urban ...

Article

James Sellman

Mario Bauzá was a talented multi-instrumentalist whose greatest musical achievement lay in his prominent role in the founding of Afro-Latin Jazz. Prior to his 1930 departure for New York City, Bauzá had concentrated on classical music, playing oboe and clarinet in the Havana Philharmonic. But in the United States he found his true calling as a jazz musician. In 1932, while working in Noble Sissle's band, Bauzá began to perform on trumpet, and he went on to serve as a trumpet player and the musical director for Chick Webb's big band (1933–1938). Bauzá, who had always been impressed with Ella Fitzgerald, helped convince the initially skeptical Webb of Fitzgerald's great potential as a vocalist.

Later Bauzá played trumpet with bandleaders Don Redman (1938–1939) and Cab Calloway (1939–1941 Bauzá played a major role in convincing Calloway to hire the brash ...

Article

Christopher Dunn

Born in Rio de Janiero, Jorge Duílio Lima Menezes began his music career in the early 1960s using the stage name Jorge Ben, taken from the surname of his Ethiopian mother, who gave him his first guitar. He divided his energies between rock and roll and bossa nova, the sophisticated new style based on Samba rhythms and Jazz harmonies. In 1963 he recorded his first LP album, Samba Esquema Novo, followed by Sacudim Ben Samba and Ben é Samba Bom in 1964. He scored an international hit with “Mas que nada,” which inspired versions by Sérgio Mendes, South African diva Miriam Makeba, and Hugh Masekela.

In the late 1960s his music was embraced by the innovative tropicalist movement led by Gilberto Gil and Caetano Veloso who celebrated his electric fusions of international black popular music while others criticized him for deviating from authentic Brazilian ...

Article

Peter Hudson

While Louise Bennett was not the first writer to use Jamaican dialect, the facility with which she reproduces it in her writing and performances has marked her as a pioneer. Born in Kingston, Jamaica, Bennett was the daughter of baker Augustus Cornelius Bennett, who died when she was seven years old, and dressmaker Kerene Robinson. Bennett, known as Miss Lou, studied social work and Jamaican folklore at Friends' College, Highgate, Jamaica. In 1945 she received a British Council Scholarship to the Royal Academy of Dramatic Arts in London, England.

Bennett began writing in dialect in the late 1930s, inspired by the language she heard spoken by Jamaicans on the streets of Kingston. Soon after she began writing, she staged public performances of her poems. In 1942 her first collection of poetry, Dialect Verses, was published. Starting in 1943 Bennett contributed a weekly column to ...