artist, was born in Richmond, Virginia, to John and Ophelia Cortor. The following year the Cortors moved to Chicago, Illinois, as part of the Great Migration. In 1910 fewer than fifty thousand blacks lived in Chicago; by 1920 the number had tripled In search of a better education and environment for their son the Cortors first moved to the South Side home to a thriving African American community John Cortor operated a modest business installing electricity into homes and repairing small electrical appliances he eventually saved enough to open a grocery store and earned the luxury of indulging in his favorite pastimes A motorcycle enthusiast and a sportsman he also learned to pilot a small airplane He belonged to a group of pioneering African American pilots and prided himself on the fruits of his practical brand of hard work ingenuity and self determination Though John Cortor was not ...
Joye Vailes Shepperd
Mary Anne Boelcskevy
painter and civil rights activist, was born in Charleston, South Carolina. “Teddy,” as he was called, was one of six children of Edwin Gailliard Harleston and Louise Moultre. Harleston's father, born in 1852, was one of eight children of the white plantation owner William Harleston and his slave Kate. Edwin Gailliard Harleston had worked as a rice planter but returned to Charleston and his family's Laurel Street home in search of a better living for his-wife and children. There he ran a produce-transporting business for a few years and then brought his nickname “Captain” along when he left boating in 1896 to set up the Harleston Brothers Funeral Home with his brother Robert Harleston a former tailor The segregated funeral business meant they would have no competition from whites Most of Captain s sons were uninterested in joining the business after their uncle Robert left however ...
artist, was born Charles Wilbert White in Chicago, to Charles White Sr., a Creek Indian and construction worker, and Ethelene Gary, a domestic worker originally from Mississippi, who had been working since the age of eight. White's parents never married, and after his father died, when Charles was eight, Ethel married Clifton Marsh, a factory worker and alcoholic. The couple divorced when Charles was in his early teens. White's mother encouraged her son's budding artistic voice, and their close relationship underlies his later works, especially images that put the African American woman at the center of black life. The chaos and poverty of his childhood was stabilized by Charles's interest and skill at drawing. He earned good grades until shortly after entering Englewood High School when, having discovered Alain Leroy Locke's The New Negro and other books by and about African Americans at the local ...
Melissa A. Kerr
artist and educator, was born in Roxbury, Massachusetts, one of four children of Reginald and Violet Wilson, immigrants from British Guiana. Wilson's parents held working-class positions in the Boston area but were forced onto public relief at the onset of the Great Depression. In 1938 Wilson attended the Roxbury Boys Club, where he took art classes taught by graduate students from the School of the Museum of Fine Arts, Boston. These students passed on the techniques of their teacher, the Russian émigré painter Alexandre Iacovleff, whose lessons stressed the meticulous rendering of the human form. Wilson's student drawings, often emulative of Iacovleff's conté crayon technique, were so impressive that his instructors brought a portfolio of his work to the attention of the School of the Museum of Fine Arts, which led to a full scholarship in 1939.
At the School of the Museum of Fine Arts ...
Lisa E. Rivo
artist and teacher, was born in Cairo, Illinois, the only child of Augusta (Bell) Woodruff, a domestic worker, and George Woodruff, who died when his son was quite young. After his father's death, Woodruff and his mother moved to east Nashville, Tennessee. Art instruction was not available in his segregated public school, so Woodruff drew on his own, mostly copying from books, and later as a cartoonist for his high school newspaper.
After graduating from high school in 1918, Woodruff moved to Indianapolis, Illinois, where he held several menial jobs while living at the YMCA. From 1920 to 1922 he studied landscape painting with William Forsyth at the Herron School of Art, while drawing weekly cartoons for the local African American newspaper, The Indianapolis Ledger After a short stint in Chicago where he studied briefly at the School of the Art Institute of Chicago he returned ...