Born around 1780 in Rio de Janeiro, Amaral was best known as an artist employed by the Luso-Brazilian Court in Rio. Details of Amaral’s early life and training are scant, including his parentage, but he lived and worked in Rio, where he studied under the artist José Leandro de Carvalho (c. 1770–1834). Amaral continued his studies at the officially sanctioned course of painting and drawing in Rio created by the Marquis of Aguiar (Fernando José de Portugal e Castro, viceroy between 1801 and 1806 The school was administered by the painter Manuel da Costa de Oliveira with whom Amaral studied stage design He also worked as the assistant of José Leandro at the São João Theater Amaral s talents were quickly recognized and he was summoned to do decorative work for the court leaving the theater behind Amaral s oeuvre is especially noteworthy in that it bridged the ...
Amy J. Buono
Thomas George Caracas Garcia
was born in Salvador, Bahia, on 30 April 1914. His paternal great-grandfather (whose name was spelled “Caimmi”) immigrated to Brazil from Italy and was a construction worker. His father, Durval Henrique Caymmi, was a civil servant and amateur musician, and his mother, Aurelina, was an amateur singer of African and Portuguese descent. Dorival never had any formal training as a singer, and in his teens he had a variety of jobs, most notably as a street vendor. His musical career, however, took off while he was still a teenager. He was a self-taught guitarist, singer, and composer, and by the early 1930s, he was performing his own songs on the nascent radio stations in his hometown.
By 1935 Caymmi was singing and playing guitar on Rádio Clube de Bahia (Bahia Radio Club, a major broadcaster in Salvador) and in 1935, he had his own show, Caymmi e Suas ...
Senegalese artist, painter, and actor, was born in Saint-Louis, Senegal. Originally trained as a stenographer, Seye is self-taught as a visual artist and actor. She participated in the much heralded Premier Festival Mondial des Arts Nègres in Dakar (1966) and, at the bequest of the Senegalese minister of culture, three years later in the First Pan-African Cultural Festival in Algiers, where she won a United Nations Educational, Scientific, and Cultural Organization (UNESCO) grant to support a training residency in Ivory Coast. Her residency led to a solo exhibition in the Hôtel Ivoire (1972), participation in the widely touring state-sponsored Senegalese Art Today (which opened in Paris at the Grand Palais in 1974), and a place within the festival of arts and culture called “FESTAC” in Lagos in 1977 She has enjoyed a broad ranging patronage from public commissions for the Ethiopian offices of the Organization of African Unity and ...