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Joshunda Sanders

was born in Harlem to Richard Hill, of North Carolina, and Mae De Veaux, who had immigrated from the Caribbean. De Veaux is the second-oldest of eight children and has said on her personal website that she was drawn to the world of books and words to “reimagine the world her mother understood” only as “you got three strikes against you. You poor, you black and you female.”

During the Black Arts Movement and other social movements of the 1960s and 1970s, De Veaux found herself inspired to create a different reality on the page. She worked as an assistant instructor in English for the New York Urban League between 1969 and 1971.

Under the guidance of the writer Fred Hudson, who was leading the writing workshop at the Frederick Douglass Creative Arts Center in Harlem, she won first place in a 1972 national black fiction writer s ...

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Pamela Lee Gray

dancer, painter, choreographer, actor, author, photographer, director, musician, and costume and set designer, was born in Port of Spain, Trinidad. He was one of four children of middle-class parents of Irish, French, and African descent.

Holder was educated at Queen's Royal College in Port of Spain. His grandfather, Louis Ephraim, was a French painter whose influence led both Holder and his older brother Boscoe to begin experimenting with oils Geoffrey began teaching himself to paint at age fifteen when he was forced to stay home from school due to a prolonged illness He also learned much from Boscoe who was a pianist painter and dancer When Boscoe moved to England Geoffrey took over as director of his brother s dance company while continuing to create new paintings and display work at gallery exhibitions Holder s work was displayed at ...

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Jennifer Lynn Headley

cultural critic, historian, performance and installation artist, photographer, writer, and activist, was born in Boston, Massachusetts. Her mother, Lena, emigrated from Jamaica to Boston in the 1920s. She earned a BA from Wellesley College in Spanish and Economics and an MFA in Fiction Writing from the University of Iowa, studying-in its renowned Writers' Workshop. From Iowa, she moved to New York City and began writing for the Village Voice and Rolling Stone as a rock critic. She changed her career course with her first performance pieces in the 1980s and her critical writings about art and its effect on students and peers.

O'Grady's first performed as Mlle. Bourgeoise Noire, loosely translated into Ms. Black Middle Class; her alter ego was a rowdy uninvited guest to numerous high-profile art exhibitions. Mlle. Bourgeoise Noire Goes to JAM (1980), Mlle Bourgeoise Noire Goes to ...