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Thomas George Caracas Garcia

was born in Salvador, Bahia, on 30 April 1914. His paternal great-grandfather (whose name was spelled “Caimmi”) immigrated to Brazil from Italy and was a construction worker. His father, Durval Henrique Caymmi, was a civil servant and amateur musician, and his mother, Aurelina, was an amateur singer of African and Portuguese descent. Dorival never had any formal training as a singer, and in his teens he had a variety of jobs, most notably as a street vendor. His musical career, however, took off while he was still a teenager. He was a self-taught guitarist, singer, and composer, and by the early 1930s, he was performing his own songs on the nascent radio stations in his hometown.

By 1935 Caymmi was singing and playing guitar on Rádio Clube de Bahia (Bahia Radio Club, a major broadcaster in Salvador) and in 1935, he had his own show, Caymmi e Suas ...

Article

Pamela Lee Gray

dancer, painter, choreographer, actor, author, photographer, director, musician, and costume and set designer, was born in Port of Spain, Trinidad. He was one of four children of middle-class parents of Irish, French, and African descent.

Holder was educated at Queen's Royal College in Port of Spain. His grandfather, Louis Ephraim, was a French painter whose influence led both Holder and his older brother Boscoe to begin experimenting with oils Geoffrey began teaching himself to paint at age fifteen when he was forced to stay home from school due to a prolonged illness He also learned much from Boscoe who was a pianist painter and dancer When Boscoe moved to England Geoffrey took over as director of his brother s dance company while continuing to create new paintings and display work at gallery exhibitions Holder s work was displayed at ...

Article

Jennifer Lynn Headley

cultural critic, historian, performance and installation artist, photographer, writer, and activist, was born in Boston, Massachusetts. Her mother, Lena, emigrated from Jamaica to Boston in the 1920s. She earned a BA from Wellesley College in Spanish and Economics and an MFA in Fiction Writing from the University of Iowa, studying-in its renowned Writers' Workshop. From Iowa, she moved to New York City and began writing for the Village Voice and Rolling Stone as a rock critic. She changed her career course with her first performance pieces in the 1980s and her critical writings about art and its effect on students and peers.

O'Grady's first performed as Mlle. Bourgeoise Noire, loosely translated into Ms. Black Middle Class; her alter ego was a rowdy uninvited guest to numerous high-profile art exhibitions. Mlle. Bourgeoise Noire Goes to JAM (1980), Mlle Bourgeoise Noire Goes to ...