(b Mobile, AL, Feb 22, 1880; d Boston, May 9, 1919). American bandleader and composer. A champion of black American music and musicians, he played a significant role in the transformation of orchestral ragtime into jazz. As a teenager in Washington, DC, Europe studied the violin, the piano and composition. After moving to New York in 1903, he continued his studies informally with organist Meville Charlton and singer/composer Henry T. Burleigh. By 1909 he had achieved considerable success as a composer of popular songs and as music director for several important theatrical productions, including Red Moon (1908–9) and Mr Lode of Koal (1909). The following year he organized and was elected president of the Clef Club, the first effective union for black musicians in the city’s history. He also conducted the club’s symphony orchestra. On 2 May 1912 ...
music administrator, conductor, and composer, was born in Mobile, Alabama, the son of Henry J. Europe, an Internal Revenue Service employee and Baptist minister, and Lorraine Saxon. Following the loss of his position with the Port of Mobile at the end of the Reconstruction, Europe's father moved his family to Washington, D.C., in 1890 to accept a position with the U.S. Postal Service. Both of Europe's parents were musical, as were some of his siblings. Europe attended the elite M Street High School for blacks and studied violin, piano, and composition with Enrico Hurlei of the U.S. Marine Corps band and with Joseph Douglass, the grandson of Frederick Douglass.
Following the death of his father in 1900 Europe moved to New York City There he became associated with many of the leading figures in black musical theater which was then emerging from the ...
musician. James Reese “Jim” Europe was born in Mobile, Alabama, the fifth of six children. His parents were Henry J. Europe, a former slave and a Baptist pastor employed in various public positions, and Lorraine Saxon Europe, a teacher. Europe learned music from his mother, playing violin and later mandolin.
In 1889 the family moved to Washington, D.C. John Philip Sousa was a close neighbor, and Europe received tuition on piano and violin from Enrico Hurlei, the assistant director of the U.S. Marine Corps Band. Around 1903 Europe moved to New York and studied with the noted African American composer and spirituals expert Harry T. Burleigh. Though aware of his traditional religious heritage, Europe embraced secular black music—ragtime and the show music of entertainers like Bert Williams and George Walker, Ernest Hogan, and Bob Cole and J. Rosamond Johnson He joined Hogan ...
Marva Griffin Carter
concert pianist, arts administrator, and musicologist, was born in Atlanta, Georgia, into a family of distinguished educators, musicians, and writers. Her maternal grandfather, William Jefferson White, was the founder of historic Morehouse College. Her poet mother, Claudia Turner (White) Harreld, was one of the first graduates of Spelman College in 1901, where she also taught. Her father, Kemper Harreld, was a renowned violinist. He served for forty-five years as the first director of music of the glee club and of the orchestra at Morehouse College, and for nearly thirty years directed Spelman College's music program. He began teaching his daughter violin when she was three, and he later introduced her to the piano.
Josephine Harreld s concert career as a pianist began when she was twelve and continued intermittently for the next thirty seven years She received an impressive education taking a BA ...
was born in Norfolk, Virginia, to Reverend John J. Mainor and Alice Jeffries Mainor. Her sister was a piano player, and Dorothy grew up in a house full of music and sang regularly at her father’s church. However, despite her passion for music, she did not initially envision it as a possible career path.
At fourteen Dorothy began studying at the Hampton Institute with the intention of pursuing a career as a teacher. In 1929 she had the opportunity to tour with the school’s choir, and the director was so impressed by her potential that he called Dorothy’s father and insisted her major be changed to music. Although Dorothy was not consulted at all, she was nevertheless pleased by the change.
Soon after Dorothy was granted a scholarship to Westminster Choir College, where she studied choral conducting before graduating in 1935 She then moved to New York under the ...