painter, was born in St. Andrews, New Brunswick, Canada, the son of Hannah Alexander, a native of New Brunswick, and Edward Bannister, from Barbados. While his birth date has generally been given as 1828, recent research has suggested that he was born several years earlier. After the death of his father in 1832, Edward was raised by his mother, whom he later credited with encouraging his artistic aspirations: “The love of art in some form came to me from my mother. … She it was who encouraged and fostered my childhood propensities for drawing and coloring” (Holland, Edward Mitchell Bannister, 17). His mother died in 1844 and Edward and his younger brother William were sent to work for a wealthy local family where he was exposed to classical literature music and painting Edward s interest in art continued and an early biography of the ...
Pamela M. Fletcher
Mark G. Emerson
As the second son and namesake of his father, Frederick Douglass Jr. was born in New Bedford, Massachusetts. He attended public schools in Rochester, New York, where he also helped his brothers, Lewis and Charles, to aid runaway slaves who were escaping to Canada on the Underground Railroad. While he did not serve in the Civil War as his brothers did, Frederick acted as a recruiting agent for the Fifty-fourth and Fifty-fifth Massachusetts Infantry regiments, as did his father. Following the war, Frederick attempted to enter the typographical workers' union. When that plan failed, he went with his brother Lewis in 1866 to Colorado, where Henry O. Wagoner, a longtime family friend, taught him the trade of typography. While he was in Colorado, Frederick worked with his brother Lewis in the printing office of the Red, White, and Blue Mining Company. In the fall of 1868 Frederick returned ...
was born in Rio de Janeiro. Monteiro was known for his voracious reading, a strong interest in color and technique, and a wide range of subjects including history and genre paintings as well as landscapes. Although Firmino Monteiro’s style maintained many conventions of the Brazilian academic tradition, his early embrace of painting en plein air produced a fresh, sometimes sentimental palette for landscapes and seascapes captured in the moment.
Little has been written about Firmino Monteiro’s private life or temperament. Death notices from 1888 indicate an unnamed wife and children. A posthumous lithograph portrait by Angelo Agostini (1843–1910 an Italian illustrator well known for his abolitionist sympathies depicted a solitary confident man of color in three quarter profile Arms crossed at his chest and sporting a mustache the artist wears a suit and tie To the sitter s right rests a palette and brush To his left through ...
Matthew Francis Rarey
was born in Salvador da Bahia, then capital of the Portuguese colony of Brazil, to António Feliciano Borges and Josefa de Santana. A pardo described as forro (freed), Jesus began his artistic career in the third quarter of the eighteenth century, a period of high artistic output for Bahia’s many artists of color, such as Francisco das Chagas (fl. eighteenth century). Early in his life, Jesus began studying with noted Bahian painter José Joaquim da Rocha (1737–1807) and worked as a painter’s assistant and gilder on a number of Rocha’s projects in Salvador.
In 1788 Jesus entered military service with Salvador s Fourth Artillery Regiment Later Rocha paid for Jesus to study painting at the Escola das Belas Artes School of Fine Arts in Lisbon To supplement Rocha s offer Jesus took out a loan from Salvador s Santa Casa de Misericórdia Holy House of Mercy a ...
Aimee Lee Cheek and William Cheek
political leader and intellectual, was born free in Louisa County, Virginia, the son of Ralph Quarles, a wealthy white slaveholding planter, and Lucy Jane Langston, a part-Native American, part-black slave emancipated by Quarles in 1806. After the deaths of both of their parents in 1834, Langston and his two brothers, well provided for by Quarles's will but unprotected by Virginia law, moved to Ohio. There Langston lived on a farm near Chillicothe with a cultured white southern family who had been friends of his father and who treated him as a son. He was in effect orphaned again in 1839 when a court hearing concluding that his guardian s impending move to slave state Missouri would imperil the boy s freedom and inheritance forced him to leave the family Subsequently he boarded in four different homes white and black in Chillicothe and Cincinnati worked ...
Thomas Adams Upchurch
Born in Virginia to a wealthy white planter and a slave mother, John Mercer Langston was one of the most influential African Americans of the nineteenth century. Widely regarded by contemporaries and historians alike as second in importance only to Frederick Douglass, Langston actually superseded the venerable Douglass in certain ways. Although Douglass enjoyed more widespread renown, Langston held more government positions and had a more varied career. The two men first met in 1848 and maintained a friendship for many years thereafter. They disagreed on some important racial issues, however, which sometimes led to hard feelings and, near the end of their lives, an intense rivalry that most observers would say made them bitter enemies.
Langston was about ten years younger than Douglass and while they were both mulattoes born to slave mothers their upbringings could hardly have been more different Whereas Douglass endured the most abhorrent circumstances ...
Lisa E. Rivo
sculptor, was born to an African American father and a mother of African American and Mississauga descent, whose names are not known. The Mississauga, a Chippewa (Ojibway in Canada) band, lived in southern Ontario. Information about Lewis's early life remains inconsistent and unverified. She was probably born in 1844 or 1845, most likely near Albany, New York. Orphaned by age nine, Lewis and her older brother, Samuel were taken in by their maternal aunts Mississaugas living near Niagara Falls Lewis joined the tribe in hunting and fishing along Lake Ontario and the Niagara River and in making and selling moccasins baskets and other souvenirs Although she later gave her Mississauga name as Wildfire Lewis s translation from the Chippewa may have been intended to authenticate her Indian background and appeal to whites She remained with the Mississauga until age twelve when Samuel using earnings amassed during the ...
Lynda Roscoe Hartigan
Edmonia Lewis was the first major sculptress of African American and Native American heritage. Her early biographical circumstances are sketchily known at best. Although Lewis claimed 1854 as her birth date, it is more likely that she was born in 1843 or 1845. Various sources, including the artist herself, claimed Greenhigh, Ohio, and Greenbush, New York, as well as the vicinity of Albany, New York, as her birthplace, but none can be verified.
Lewis s father employed as a gentleman s servant was African American her mother was a Chippewa Indian who may have been born near Albany It was she who presumably named her daughter Wildfire Lewis appears to have spent little if any time with her father and instead lived with her mother s tribe Orphaned before she was five Lewis remained with the Chippewa until she was about twelve years old As Wildfire she learned to ...
Antônio Francisco Lisboa, better known by his nickname “Aleijadinho” (the Little Cripple), was born in Villa Rica do Ouro Preto, Minas Gerais, Brazil, where he later distinguished himself as an artist during the baroque and rococo artistic periods. The Minas Gerais variant of the baroque and rococo styles is distinct; unlike the coastal states of Rio de Janeiro and Bahia, whose frequent contact with Portugal kept the art and architecture of those provinces in tune with European artistic developments, Minas Gerias's location in the interior largely insulated it from European influences. Minas Gerais was also a more recently settled province, and it had few convents or monasteries of the regular orders, which would have otherwise encouraged the duplication of European architectural designs.
During the colonial era in Latin America the church was the center of social life and the principal patron of the arts Virtually all of Aleijadinho ...
Quilts and the act of quilt making have played important roles in the history of African America. Rife with symbolism, quilts represent comfort, resistance, self-expression, poverty, and a dozen other aspects of the lives of black Americans. Most quilters are not known outside their own circle of friends and family, but there is one woman who stood out. Her quilts, startling in their quality and originality, and having caught the world’s attention, were displayed in the Smithsonian Institution and the Museum of Fine Arts in Boston, where the name of their creator, Harriet Powers, is preserved.
Powers was born a slave in Georgia. Her maiden name is unknown, as are the circumstances of her birth and childhood. She was married to Armstead Powers and had three children, two of whom were born in slavery; the third was born in 1866 just after the end of the Civil War ...
more commonly known as Estevão Silva, Brazilian painter and art professor who excelled in the natureza morta (still life), was born in 1844 or 1845 in Niterói, capital of Rio de Janeiro province. Without further detail, the art history literature reports his unnamed parents to have been enslaved Africans. Silva is considered to be the first Afro-Brazilian to achieve widespread acclaim within the nineteenth-century academic fine arts tradition. In life and afterward, his African descent influenced the critical reception to his work. For example, the pioneering Brazilian art critic Duque Estrada (1863–1911) ascribed the painter’s use of strong reds, yellows, and greens to the aesthetics of a fine colorist and to sentiments “peculiar to his race of origin.”
At some point Silva moved across Guanabara Bay to the city of Rio Around the age of 20 he matriculated in the Academia Imperial de Belas Artes Imperial Academy of ...
Dewey Franklin Mosby
painter and draughtsman, was born in Pittsburgh, Pennsylvania, the son of Benjamin Tucker Tanner, a bishop of the African Methodist Episcopal Church and editor of the Christian Recorder, and Sarah Miller. Tanner's parents were strong civil rights advocates; his middle name, Ossawa, was a tribute to the abolitionist John Brown of Osawatomie.
The Tanner family moved in 1868 to Philadelphia, where Henry saw an artist at work in Fairmont Park and “decided on the spot” to become one. His mother encouraged this ambition although his father apprenticed him in the flour business after he graduated valedictorian of the Roberts Vaux Consolidated School for Colored Students in 1877. The latter work proved too strenuous for Tanner, and he became ill. After a convalescence in the Adirondacks, near John Brown's farm, in 1879 he entered the Pennsylvania Academy of Fine Arts and studied under Thomas Eakins ...